The bibliography currently lists 563 titles.

A. General Theory of Textual Criticism and Philology
B. Music Editing
C. Specific Musical Works and Composers
D. Music Engraving and Notation
E. Miscellaneous

A. General Theory of Textual Criticism and Philology

Siegert, Christine: 'Movimento testuale ed edizione. Il caso dell'aria "Non per parlar d'amore" (Piccinni - Salieri - Haydn) ', in: Philomusica-on-line (forthcoming).
Keywords: computer; editing; music; text; criticism; media; music

Nelson, Brent: Digitizing medieval and early modern material culture (= New technologies in medieval and Renaissance studies, 3). Arizona Center for Medieval and Renaissance Studies, Tempe 2012.
Keywords: digital; computer; media; publication; history; methodology; source studies; text; literature
Abstract

Verheyden, Joseph and Bertho, Benjamin (eds.): Des manuscrits antiques à l'ère digitale. Presses polytechniques et universitaires romandes, Lausanne 2012.
Keywords: manuscript; source studies; documents; digital; computer; media; publication; literature; publishing

Hauge, Peter: '[review of:] John Birchensha: Writings on Music. Ed. by Christopher D. S. Field and Benjamin Wardhaugh', in: Music and Letters, 92/4 (2011): 647-49.
Keywords: philology; music; literature; music theory; editing; renaissance; England

Kondrup, Johnny: Editionsfilologi. Museum Tusculanum, Copenhagen 2011.
Abstract

Egan, Gabriel: The struggle for Shakespeare's text: the twentieth-century editorial theory and practice. Cambridge University Press, Cambridge 2010.
Keywords: editing; criticism; literature; drama; history; work-concept; methodology; philology; source studies; book history; printing; publication; printers; Renaissance; early modern literature
Abstract

Egan, Gabriel: 'Intention in the editing of Shakespeare', in: Style, 44/3 (2010): 378-90. http://www.engl.niu.edu/ojs/index.php/style/article/view/121/71
Keywords: editing; criticism; literature; drama; Renaissance; early modern literature; methodology; theory; intention; work-concept; history; bibliography

Rossi, Germán Pablo and Del Rio Riande, María Gimena: 'O que vos nunca cuidei a dizer: Musicología y filología en la edicíon del Cancionero del rey Don Denis', in: Revista de musicología, 33/1-2 (2010): 235-246.
Keywords: philology; music; medieval; notation; text
Abstract

Bodard, Gabriel and Garcés, Juan: Open source critical editions: a rationale, in: Marilyn Deegan et al. (eds.): Text editing, print, and the digital world. Ashgate Publishing Ltd., Farnham 2009: 83-98.
Keywords: edition; editing; media; text; criticism; publication

Bree, Linda and McLaverty, James: The Cambridge edition of the works of Jonathan Swift and the future of the scholarly edition, in: Marilyn Deegan et al. (eds.): Text editing, print, and the digital world. Ashgate Publishing Ltd., Farnham 2009: 127-36.
Keywords: edition; editing; text; criticism; literature; media; publication

Buzzetti, Dino: Digital editions and text processing, in: Marilyn Deegan et al. (eds.): Text editing, print, and the digital world. Ashgate Publishing Ltd., Farnham 2009: 45-62.
Keywords: media; edition; editing; process; text; criticism; publication

Dahlström, Mats: The compleat edition, in: Marilyn Deegan et al. (eds.): Text editing, print, and the digital world. Ashgate Publishing Ltd., Farnham 2009: 27-44.
Keywords: edition; editing; text; criticism; media; transmission; transcription; publication

Deegan, Marilyn and Sutherland, Kathryn (eds.): Text editing, print, and the digital world (= Digital research in the arts and humanities). Ashgate Publishing Ltd., Farnham 2009.
Keywords: media; editing; edition; text; criticism; literature; publication
Abstract

Eggert, Paul: Securing the past. Conservation in art, architecture, and literature. Cambridge University Press, Cambridge 2009.
Keywords: editing; text; criticism; literature; drama; philology; edition; editorial theory; methodology; authenticity; authorship; theory; practice; ontology; intention; variants; geneticism; version; society; culture; work-concept; documents; source studies

Eggert, Paul: The book, e-text and the "work-site", in: Marilyn Deegan et al. (eds.): Text editing, print, and the digital world. Ashgate Publishing Ltd., Farnham 2009: 63-82.
Keywords: book; editing; edition; media; text; criticism; editorial theory; practice; publication

Ferrer, Daniel: Variant and variation: toward a Freudo-Bathmologico-Bakhtino-Goodmanian genetic model?, in: Joseph E. Jones et al. (eds.): Genetic criticism and the creative process: essays from music, literature, and theater. University of Rochester, Rochester, N.Y. 2009: 000-000.
Keywords: variants; version; transcription; transmission; source studies; manuscripts; documents; geneticism; text; literature; theatre; drama; music; editing; methodology; philology; editorial theory

Graves, R. B.: "The hardy Laurel": Beckett and early film comedy, in: Joseph E. Jones et al. (eds.): Genetic criticism and the creative process: essays from music, literature, and theater . University of Rochester, Rochester, N.Y. 2009: 000-000.
Keywords: art; performance; interpretation; criticism; theatre; actors; Comedians; variants; version; editing; geneticism; methodology; text; drama

Hauge, Peter: '[review of:] A Brief and Short Instruction of the Art of Musicke by Elway Bevin. Ed. by Denis Collins', in: Music and Letters, 90/1 (2009): 160-62.
Keywords: philology; music; text; editing; renaissance; England

Kinderman, William : Introduction: genetic criticism and the creative process, in: Joseph E. Jones et al. (eds.): Genetic criticism and the creative process: essays from music, literature, and theater . University of Rochester, Rochester, N.Y. 2009: 000-000.
Keywords: geneticism; editing; music; theatre; literature; editorial theory; methodology; version; variants; authorship

Lebrave, Jean-Louis: Can genetic criticism be applied to the performing arts?, in: Joseph E. Jones et al. (eds.): Genetic criticism and the creative process: essays from music, literature, and theater . University of Rochester, Rochester, N.Y. 2009: 000-000.
Keywords: Geneticism; criticism; performance; performance practice; music; theatre; art; drama; literature; text; source studies; editing; editorial theory; transmission; variants; version; philology; interpretation

Lernout, Geert: From varieties of genetic experience to radical philology, in: Joseph E. Jones et al. (eds.): Genetic criticism and the creative process: essays from music, literature, and theater . University of Rochester, Rochester, N.Y. 2009: 000-000.
Keywords: geneticism; philology; editing; text; literature; source studies; transcription; transmission; variants; version; music

Mortimer, Armine Kotin: The genetic record of a voice: variants in Barthes's Le Plaisir du texte, in: Joseph E. Jones et al. (eds.): Genetic criticism and the creative process: essays from music, literature, and theater . University of Rochester, Rochester, N.Y. 2009: 000-000.
Keywords: creative process; manuscripts; source studies; documents; text; literature; drama; theatre; performance; geneticism; editing; editorial theory; methodology; philology; art; variants; version; intention; authorship; authenticity; music

Mussell, James and Paylor, Suzanne: Editions and archives: textual editing and the nineteenth-century serials edition (ncse), in: Marilyn Deegan et al. (eds.): Text editing, print, and the digital world. Ashgate Publishing Ltd., Farnham 2009: 137-158.
Keywords: edition; editing; text; criticism; media; publication

Ore, Espen S.: '... they did their books underground', in: Marilyn Deegan et al. (eds.): Text editing, print, and the digital world. Ashgate Publishing Ltd., Farnham 2009: 113-126.
Keywords: editing; text; criticism; media; practice; readership; audience; publication

Pierazzo, Elena: Digital genetic editions: the encoding of time in manuscript transcription, in: Marilyn Deegan et al. (eds.): Text editing, print, and the digital world. Ashgate Publishing Ltd., Farnham 2009: 169-186.
Keywords: editing; media; edition; geneticism; manuscripts; sources; text; criticism; version; variants; transcription; intention; authorship; publication

Sutherland, Kathryn: Being critical: paper-based editing and the digital environment, in: Marilyn Deegan et al. (eds.): Text editing, print, and the digital world. Ashgate Publishing Ltd., Farnham 2009: 13-26.
Keywords: text; criticism; editing; media; editorial theory; history; publication

Vanhoutte, Edward: Every reader his own bibliographer - an absurdity?, in: Marilyn Deegan et al. (eds.): Text editing, print, and the digital world. Ashgate Publishing Ltd., Farnham 2009: 99-112.
Keywords: text; criticism; editing; media; readership; audience; publication

Wiering, Frans: Digital critical editions of music: a multidimensional model, in: Tim Crawford et al. (eds.): Modern methods for musicology: prospects, proposals, and realities. Ashgate Publishing Ltd., Farnham 2009: 23-46.
Keywords: media; editing; publication; music

Hayes, Kevin: 'The risks of a mammoth edition: the example of The Complete Letters of Henry James', in: Scholarly Editing: The Annual of the Association for Documentary Editing, 30/1 (2008).
Keywords: editing; publication; methodology; criticism; work-concept; correspondence; manuscript; source studies

Amigo Pino, Claudia and Zular, Roberto: Escrever sobre escrever. Uma introdução crítica à crítica genética. WMF Martins Fontes, Sao Paolo 2007.
Keywords: text; criticism; literature; history; book; manuscripts; edition; editing; geneticism; version; intention; authenticity; authorship; bibliography; transmission; transcription; source studies; sources; manuscripts; filiation; hierarchy; methodology; editorial theory; philology
Abstract

Crane, Gregory, Bamman, David and Babeu, Alison: ePhilology: when the books talk to their readers, in: Ray Siemens et al. (eds.): Blackwell Companion to Digital Literary Studies. Blackwell, Oxford 2007. http://repository01.lib.tufts.edu:8080/fedora/get/tufts:gcrane-2006.00003/bdef:TuftsPDF/getPDF
Keywords: philology; text; criticism; literature; media; sources; manuscript; annotation; revision; editing; edition; methodology
Abstract

Hunter, Michael: Editing early modern texts: an introduction to principles and practice. Palgrave Macmillan, London 2007.
Keywords: editing; philology; source studies; documents; literature; text; criticism; Renaissance; baroque; methodology; printers; publishers; work-concept; drama; poetry; science; description; manuscripts; transcription; translation
Abstract

Lönnroth, Harry: 'Scholarly editing as a dissertation topic: philological perspectives on documentary editing in theory and practice', in: Scholarly Editing: The Annual of the Association for Documentary Editing, 29 (2007).
Keywords: criticism; editing; history; literature; philology; source studies; methodology; practice

Eggert, Paul: What a critical editing teaches us about texts, works and books. De Montfort University, Centre for Textual Studies, Leicester 2006. http://www.cts.dmu.ac.uk/index.php?q=eggert-lecture.html
Keywords: text; criticism; editing; editorial theory; methodology; work-concept; authorship; authentic; intention; society; version

Ocasar Ariza, José Luis: 'The genetic edition of classical texts with multiple variants ', in: Variants , 5 (2006): 161-180.
Keywords: history; edition; version; variants; geneticism; editing; text; literature; criticism; manuscripts; source studies; methodology; transmission

Vanhoutte, Edvard: Editorial theory in crisis: the concepts of base text, edited text, textual apparatus and variant in electronic editions. Paper presented at DRH 2005, Lancaster 2005.
Keywords: editorial theory; methodology; text; criticism; literature; media; sources; publication; annotation; revision
Abstract

Biasi, Pierre-Marc: Toward a science of literature: manuscript analysis and the genesis of the work, in: Jed Deppman et al. (eds.): Genetic criticism: texts and avant-textes. University of Pennsylvania Press, Philadelphia 2004: 36-68.
Keywords: genesis; geneticism; variants; version; philology; editing; editorial theory; methodology; source studies; manuscript; work-concept; analysis; literature; text; criticism
Abstract

Dahlström, Mats: 'How reproductive is a scholarly edition?', in: Literary and Linguistic Computing, 19/1 (2004): 17-33.
Keywords: edition; editing; media; society; facsimile; transcription; sources; manuscript; text; criticism
Abstract

Depmann, Jed, Ferrer, Daniel and Groden, Michael (eds.): Genetic criticism: texts and avant-textes. University of Pennsylvania Press, Philadelphia 2004.
Keywords: text; criticism; genesis; geneticism; version; editing; editorial theory; methodology; philology; literature; society; manuscript; source studies; intention; authenticity
Abstract

Hulle, Dirk Van: Textual awareness: a genetic study of late manuscripts by Joyce, Proust, and Mann (= Editorial theory and literary criticism). University of Michigan Press, Ann Arbor 2004.
Keywords: version; variants; instability; text; criticism; interpretation; editorial theory; geneticism; editing; philology; source studies; sources; documents; work-concept; methodology
Abstract

Bucci, Richard: 'Tanselle's "editing without a copy-text": genesis, issues, prospects ', in: Studies in Bibliography, 56 (2003-04): 1-44.
Keywords: editing; disputes; methodology; philology; text; criticism; editorial theory; sources; source studies; history

Bryant, John: The fluid text: a theory of revision and editing for book and screen (= Editorial theory and literary criticism). University of Michigan Press, Ann Arbor 2002.
Keywords: variants; instability; authorship; authenticity; text; criticism; methodology; editorial theory; editing; edition; history; source studies; documents; geneticism; media; art; society; culture; work-concept; interpretation; intention; ontology
Abstract

Buzzetti, Dino: 'Digital representation and the text model', in: New Literary History, 33/1 (2002): 61-88.
Keywords: text; criticism; media; source studies

Robinson, Peter: 'What is a critical digital edition?', in: Variants: The Journal of th European Society for Textual Scholarship, 1 (2002): 43-62.
Keywords: media; editing; edition; publication; source studies; text; criticism; literature; philology; methodology; editorial theory

Hancher, Michael: 'Littera scripta manet: Blackstone and electronic text', in: Studies in Bibliography, 54 (2001): 115-132. http://etext.virginia.edu/etcbin/toccer-sb?id=sibv054&images=bsuva/sb/images&data=/texts/english/bibliog/SB&tag=public&part=3&division=div
Keywords: editing; authorship; authenticity; media; electronic; text; computer; source studies; printers; publishers; criticism; documents

Olden-Jørgensen, Sebastian: Til kilderne! Introduktion til kildekritik. G.E.C. Gads Forlag, Copenhagen 2001.
Keywords: methodology; history; source studies; philology; documents; transcription; interpretation; criticism; manuscripts; bibliography

Bjelland, Karen: 'The editor as theologian, historian and archeologist: shifting paradigms within editorial theory and their sociocultural ramifications', in: Analytical and Enumerative Bibliography, 1 (2000): 1-43.
Keywords: society; text; criticism; literature; editing; philology; editorial theory; methodology; history

Dahlström, Mats: 'Drowning by versions', in: Human IT, 4 (2000): 7-38. http://etjanst.hb.se/bhs/ith//4-00/md.htm
Keywords: editing; edition; text; criticism; philology; media; version; variants; work-concept; manuscript; print
Abstract

Hill, W. Speed, Burns, Edward M. and Shillingsburg, Peter (eds.): Text: an interdisciplinary annual of textual studies. University of Michigan Press, Ann Arbor 2000.
Keywords: text; criticism; music; editing; edition; history; literature; drama; theatre; compositional process; methodology; Creative process; philology; source studies; version; practice; theory; authenticity; authorship; geneticism; printers; publication; publishers

Eggert, Paul: General-editing and theory: historical version and authorial agency, in: Christa Jansohn (ed.): Problems of Editing (= Beihefte zur Editio). De Gruyter,  1999: 42-58.
Keywords: authorship; authenticity; methodology; editing; text; criticism

Gabler, Hans Walter: Genetic texts - genetic editions - genetic criticism or, towards discoursing the genetics of writing, in: Christa Jansohn (ed.): Problems of editing (= Beihefte zur Editio). De Gruyter,  1999: 59-78.
Keywords: geneticism; editing; source studies; edition; theory; text; criticism; methodology

Gurr, Andrew, Hardman, Phillipa and Kelly, Lionel (eds.): The text as evidence: revising editorial principles (= Yearbook of English Studies, 29). W.S. Maney for the Modern Humanities Research Association,  1999.
Keywords: editing; text; criticism; methodology; source studies; practice; literature

Mehl, Dieter: Editorial theory and practice in English studies in Germany, in: Christa Jansohn (ed.): Problems of editing (= Beihefte zur Editio). De Gruyter,  1999: 9-17.
Keywords: methodology; editing; theory; text; criticism; practice

Ore, Espen S.: Elektronisk publicering: forskellige utgaveformer og forholdet til grunntekst(er) og endelig(e) tekst(er), in: Lars Burman et al. (eds.): Vid texternas vägskäl: textkritiska uppsatser (= Nordiskt Nätverk för Editionsfilologer. Skrifter, 1). Svenska Vitterhetssamfundet, Stockholm 1999: 138-44.
Keywords: media; publication; edition; editing; source studies

Plachta, Bodo: Teaching editing - learning editing, in: Christa Jansohn (ed.): Problems of Editing (= Beihefte zur Editio). De Gruyter,  1999: 18-32.
Keywords: editing; theory; practice

Vanhoutte, Edvard: 'Where is the editor?: resistance in the creations of an electronic critical edition', in: Human IT, 3/1 (1999): 197-224. http://etjanst.hb.se/bhs/ith//1-99/ev.htm
Keywords: print; publication; media; edition; editing; philology; text; criticism; literature; authenticity; society; sources
Abstract

Bornstein, George and Tinkle, Theresa (eds.): The icon page in manuscript, print, and digital culture. University of Muíchigan Press, Ann Arbor 1998.
Keywords: work-concept; source studies; manuscript; computer; media; digital; electronic; editing; text; criticism; illustrations
Abstract

Buzzetti, Dino and Rehbein, Malte: Textual fluidity and digital editions, in: Milena Dobreva (ed.): Text variety in the witnesses of medieval texts. Institute of Mathematics and Informatics of the Bulgarian Academy of Sciences, Sofia 1998: 14-39. http://www.denkstaette.de/files/Buzzetti-Rehbein.pdf
Keywords: version; variants; philology; medieval; text; authenticity; manuscript; media; publication; methodology; editing; editorial theory; annotation; revision

Shillingsburg, Peter L.: Resisting texts: authority and submission in constructions of meaning (= Editorial theory and literary criticism). University of Michigan Press, Ann Arbor 1998.
Keywords: interpretation; text; criticism; literary theory; editorial theory; editing; source studies; sources; documents
Abstract

Bowen, Alan C. and Bowen, William R.: The translator as interpreter: Euclid's Sectio canonis and Ptolomy's Harmonica in the Latin tradition, in: Maria Rika Maniates (ed.): Music discourse from classical to early modern times. University of Toronto Press, Toronto 1997: 97-148.
Keywords: criticism; text; medieval; language; Latin; music theory; bibliography; philology; editing; edition; methodology; translation; source studies; documents; manuscripts; transcription; history; reception; readership
Abstract

Cohen, Philip (ed): Texts and textuality: textual instability, theory, and interpretation. Garland Publishing, Inc., New York & London 1997.
Keywords: philology; text; edition; editing; literature; theory; intention; instability; interpretation; variants; work-concept; criticism

Cohen, Philip: 'The key to the whole book': Faulkner's The Sound and the Fury, the Compson appendix, and textual instability, in: Philip Cohen (ed.): Texts and Textuality: textual instability, theory, and interpretation. Garland Publishing, Inc., New York & London 1997: 235-68.
Keywords: literature; philology; editing; edition; interpretation; intention; text; criticism; work-concept; instability; variants; text; geneticism; bibliography

Greetham, D.C. (ed): The margins of the text. University of Michigan, Ann Arbor 1997.
Keywords: editing; criticism; text; literature; drama; poetry; methodology; theory; history
Abstract

Kreyszig, Walter Kurt: Preparing editions and translations of Humanist treatises on music: Franchino Gaffurio's Theorica Musice (1492), in: Maria Rika Maniates (ed.): Music discourse from classical to early modern times. University of Toronto Press, Toronto 1997: 71-95.
Keywords: criticism; translation; transcription; interpretation; music theory; Renaissance; Latin; language; philology; text; methodology; editing; edition; source studies; documents; reception; readership
Abstract

Maniates, Maria Rika (ed): Music discourse from classical to early modern times. Papers given at the twenty-sixth annual conference on editorial problems, University of Toronto, 19-20 October 1990. University of Toronto Press, Toronto 1997.
Keywords: edition; publishers; source studies; documents; text; methodology; criticism; music; middle ages; Renaissance; editing; language; transcription; source studies; documents; philology; sacred; secular; bibliography

Palisca, Claude V.: Fidelities and infidelities in translating early music theory, in: Maria Rika Maniates (ed.): Music discourse from the classical to early modern times. University of Toronto Press, Toronto 1997: 1-16.
Keywords: criticism; translation; editing; music theory; renaissance; Latin; Italian; language; source studies; documents; philology; text; methodology; interpretation
Abstract

Duggan, Hoyt N.: Some unrevolutionary aspects of computer editing, in: Richard J. Finneran (ed.): The literary text in the digital age. University of Michigan Press, Ann Arbor 1996: 77-98.
Keywords: media; editing; edition; text; criticism; literature

Finneran, Richard J. (ed): The literary text in the digital age. University of Michigan Press, Ann Arbor 1996. http://books.google.dk/books?id=xHbXLWRyxvwC&printsec=frontcover&dq=bornstein+williams+palimpsest&source=gbs_similarbooks_s&cad=1#v=onepage&q=bornstein%20williams%20palimpsest&f=false
Keywords: edition; editing; media; methodology; variants; criticism; text; literature; philology

Hockey, Susan: Creating and using electronic editions, in: Richard J. Finneran (ed.): The literary text in the digital age. University of Michigan Press, Ann Arbor 1996: 1-22.
Keywords: media; transmission; editing; criticism; text; literature; methodology

Lavagnino, John: Completeness and adequacy in text encoding, in: Richard J. Finneran (ed.): The literary text in the digital age. University of Michigan Press, Ann Arbor 1996: 63-76.
Keywords: media; text; criticism; editing; edition; literature

Rabbie, Edwin: 'Editing Neo-Latin texts', in: Editio: Internationales Jahrbuch für Editionswissenschaft, 10 (1996): 25-48.
Keywords: editing; text; criticism; Latin; Renaissance; source studies; documents; translation; dictionary; methodology; philology; language; bibliography

Robinson, Peter M. W.: Is there a text in these variants?, in: Richard J. Finneran (ed.): The literary text in the digital age. University of Michigan Press, Ann Arbor 1996.
Keywords: media; editing; edition; text; criticism; literature; variants; instability; work-concept; theory; editorial theory; transmission; transcription; interpretation; media

Ross, Charles L.: The electronic text and the death of the critical edition, in: Richard J. Finneran (ed.): The literary text in the digital age. University of Michigan Press, Ann Arbor 1996: 225-34.
Keywords: text; criticism; media; literature

Shillingsburg, Peter L.: Principles for electronic archives, scholarly editions, and tutorials, in: Richard J. Finneran (ed.): The literary text in the digital age. University of Michigan Press, Ann Arbor 1996: 23-36.
Keywords: media; editing; edition; transmission; transcription; text; criticism; literature; methodology

Shillingsburg, Peter L.: Scholarly editing in the computer age (= Editorial theory and literary criticism). Universiy of Michigan, Ann Arbor 1996.
Keywords: editing; edition; text; criticism; editorial theory; media; theory; practice; transcription; philology; work-concept; history; culture; society
Abstract

Sperberg-McQueen, C. M.: Textural criticism and the text encoding initiative, in: Richard J. Finneran (ed.): The literary text in the digital age. University of Michigan Press, Ann Arbor 1996: 37-62.
Keywords: media; editing; edition; practice; text; criticism; literature

Tanselle, G. Thomas: 'Textual instability and editorial idealism', in: Studies in Bibliography, 49 (1996): 2-61.
Keywords: editing; philology; criticism; literature; source studies; work-concept

Unsworth, John: Electronic scholarship; or, scholarly publishing and the public, in: Richard J. Finneran (ed.): The literary text in the digital age. University of Michigan Press, Ann Arbor 1996.
Keywords: media; editing; edition; text; criticism; literature; society

Gabler, Hans Walter, Bornstein, George and Pierce, Gillian Borland (eds.): Contemporary German editorial theory (= Editorial theory and literary criticism). University of Michigan Press, Ann Arbor 1995.
Keywords: editorial theory; editing; text; criticism; philology; edition; methodology; version; variants; instability; intention; authorship; authenticity; society; transcription; interpretation; transmission; source studies; documents
Abstract

Grigely, Joseph: Textualterity: art, theory and textual criticism (= Editorial theory and literary criticism). University of Michigan Press, Ann Arbor 1995.
Keywords: art; theory; text; criticism; literary theory; editing; authorship; authenticity; literature; editorial theory; culture; edition; work-concept
Abstract

Greetham, David C.: Textual scholarship: an introduction. Routledge, London 1994.
Keywords: editing; philology; criticism; literature; edition; publishers; source studies; documents; text; methodology
Abstract

Grésillon, Almuth: Éléments de critique génétique: Lire les manuscrits modernes. Presses Universitaires de France, Paris 1994.
Keywords: geneticism; source studies; manuscripts; publication; documents; editing; text; literature; modern; editorial theory; version; variants; transcription; transmission; philology; sources; interpretation; methodology; work-concept
Abstract

Meyer, Ann R.: 'Shakespeare's art and the text of 'King Lear'', in: Studies in Bibliography, 47 (1994): 129-147.
Keywords: editing; literature; Renaissance; England; Elizabeth I; philology; text; criticism; history; theatre; drama; book; source studies; documents; intention; work-concept

Tanselle, G. Thomas: 'Editing without a copy-text', in: Studies in Bibliography, 47 (1994): 2-23.
Keywords: editing; methodology; philology; text; criticism; literature; work-concept

Bennett, Betty T.: Feminism and editing Mary Wollstonecraft Shelley: the editor and?/or? the text, in: George Bornstein et al. (eds.): Palimpsest: editorial theory in the humanities. University of Michigan Press, Ann Arbor 1993: 67-98.
Keywords: editing; philology; criticism; text; romanticism; methodology; literary theory; feminism

Bornstein, George: What is the text of a poem by Yeats, in: George Bornstein et al. (eds.): Palimpsest: editorial theory in the humanities. University of Michigan Press, Ann Arbor 1993: 167-94.
Keywords: work-concept; authorship; authenticity; intention; text; criticism; philology; methodology; poetry; editorial theory; edition

Bornstein, George and Williams, Ralph G. (eds.): Palimpsest: editorial theory in the humanities. University of Michigan Press, Ann Arbor 1993.
Keywords: literary theory; literature; music; opera; genre; book; criticism; methodology; philology; modernism; history; editing; edition; text; transcription; transmission; editorial theory; source studies; sources; documents; authorship; authentic; intention; final; Renaissance; poetry; practice

Gabler, Hans Walter: On textual criticism and editing: the case of Joyce's Ulysses, in: George Bornstein et al. (eds.): Palimpsest: editorial theory in the humanities. University of Michigan Press, Ann Arbor 1993: 195-226.
Keywords: text; criticism; editing; methodology; philology; work-concept; authorship; authenticity; practice; theory; source studies; sources; documents; editorial theory; intention

Greetham, David C.: Editorial and critical theory: from modernism to postmodernism, in: George Bornstein et al. (eds.): Palimpsest: editorial theory in the humanities. University of Michigan Press, Ann Arbor 1993: 9-28.
Keywords: editing; philology; criticism; text; literature; poetry; methodology; editorial theory; modernism; theory; practice; source studies; documents

McGann, Jerome J.: The case of The Ambassadors and the textual condition, in: George Bornstein et al. (eds.): Palimpsest: editorial theory in the humanities. University of Michigan Press, Ann Arbor 1993: 151-66.
Keywords: society; editing; methodology; theory; literature; interpretation; text; criticism; transmission; documents
Abstract

Oberg, Barbara: Benjamin Franklin's correspondence: whose intent? what text? I don't know's the author, in: George Bornstein et al. (eds.): Palimpsest: editorial theory in the humanities. University of Michigan Press, Ann Arbor 1993: 271-84.
Keywords: intention; authorship; authenticity; text; criticism; philology; source studies; sources; documents

Shillingsburg, Peter L.: Polymorphic, polysemic, prorean, reliable, electronic texts, in: George Bornstein et al. (eds.): Palimpsest: editorial theory in the humanities. University of Michigan Press, Ann Arbor 1993: 29-44.
Keywords: editing; philology; criticism; text; transmission; transcription; sources; source studies; documents; instability; work-concept; description; methodology; variants; media

Taylor, Gary: The Renaissance and the end of editing, in: George Bornstein et al. (eds.): Palimpsest: editorial theory in the humanities. University of Michigan Press, Ann Arbor 1993: 121-50.
Keywords: Renaissance; editing; methodology; history; philology; documents; source studies; literature; theory

Williams, Ralph G.: I shall be spoken: textual boundaries, authors, and intent, in: George Bornstein et al. (eds.): Palimpsest: editorial theory in the humanities. University of Michigan Press, Ann Arbor 1993: 45-66. http://books.google.dk/books?id=D9rPHqyrTjAC&printsec=frontcover&dq=bornstein+williams+palimpsest&source=bl&ots=oJU4VUkBD8&sig=WjaZ2WUtoVVoi-SRkQjFeGFoOyM&hl=da&ei=pjVYS4iWO9Ty-Qb-2fiTBA&sa=X&oi=book_result&ct=result&resnum=1&ved=0CAcQ6AEwAA#v=onepage&q=&f=false
Keywords: intention; text; criticism; philology; authorship; authentic; transcription; transmission; work-concept; interpretation; version; performance; medieval; Renaissance; theory

Zetzel, James E. G.: Religion, rhetoric, and editorial technique: reconstructing the classics, in: George Bornstein et al. (eds.): Palimpsest: editorial theory in the humanities. University of Michigan Press, Ann Arbor 1993: 99-120.
Keywords: philology; methodology; criticism; antiquity; theory; editing

McGann, Jerome J.: A critique of modern textual criticism. University Press of Virginia, Charlottesville & London 1992.
Keywords: criticism; literature; philology; editing; work-concept; romanticism; methodology; bibliography

Bornstein, George (ed): Representing modernist texts: editing as interpretation. University of Michigan Press, Ann Arbor 1991. http://books.google.dk/books?id=JQA2gniU5-MC&printsec=frontcover&dq=bornstein+george+representing&source=bl&ots=Ljo-5goIo5&sig=t9hJ33c9bMhr6C7IR6S8-un3u5c&hl=da&ei=mEJUS_CEKJPM-QaE74XSCA&sa=X&oi=book_result&ct=result&resnum=2&ved=0CAsQ6AEwAQ#v=onepage&q=&f=false
Keywords: text; criticism; philology; edition; editing; methodology; modernism; England; transmission; source studies; documents; interpretation; feminism; authorship; authentic; censorship; literary theory

Broude, Ronald: 'When accidents are substantive: applying methodologies of textual criticism to scholarly editions of music', in: Text: Transactions of the Society for Textual Scholarship, 5 (1991): 105-120.
Keywords: editing; methodology; editorial theory; sources; print; history; printing; publishing; publishers; music
Abstract

Cohen, Philip (ed): Devils and angels: textual editing and literary theory. The University Press of Virginia, Charlottesville 1991.
Keywords: criticism; text; editing; literature; authorship; authenticity; society; culture; variants; version; editorial theory; methodology; sources

Eggert, Paul: Textual product or textual process: procedures and asumptions of critical editing, in: Philip Cohen (ed.): Devil and angels: textual editing and literary theory. University Press of Virginia, Charlottesville 1991: 57-77.
Keywords: criticism; text; editing; literature; methodology; editorial theory; authorship

Ferrer, Daniel and Lebrave, Jean-Louis (eds.): L' Ecriture et ses doubles genèse et variation textuelle; genèse et variation textuelle (= Editions du Centre national de la recherche scientifique). Paris 1991.
Keywords: editing; manuscripts; source studies; transmission; transcription; geneticism; variants; version; methodology; editorial theory; philology; intention; work-concept; interpretation; sources; documents

Greetham, David C.: The manifestation and accommodation of theory in textual editing, in: Philip Cohen (ed.): Devils and angels: textual editing and literary theory. University Press of Virginia, Charlottesville 1991: 78-102.
Keywords: text; criticism; editing; methodology; theory; practice; literature

McGann, Jerome J.: The textual condition. Princeton 1991.
Keywords: editing; methodology; text; literature; criticism; philology; intention; work-concept; editorial theory

McGann, Jerome J.: 'What is critical editing?', in: Text, 5 (1991): 15-30.
Keywords: text; criticism; society; literature; literary theory; editing; interpretation; edition; authorship; authenticity; methodology; philology; source studies; work-concept

McLaverty, James: Issues and identity and utterance: an intentionalist response to 'textual instability', in: Philip Cohen (ed.): Devils and angels: textual editing and literary theory. University Press of Virginia, Charlottesville & London 1991: 134-151.
Keywords: editing; philology; source studies; literature; theory; instability; version; identity; criticism; methodology; intention

Shillingsburg, Peter L.: 'Text as matter, concept, and action', in: Studies in Bibliography, 44 (1991): 31-83.
Keywords: text; literature; criticism; work-concept; intention; editing; methodology; philology; version; readership

Shillingsburg, Peter L.: The autonomous author, the sociology of texts, and the polemics of textual criticism, in: Philip Cohen (ed.): Devils and angels: textual editing and literary theory. University Press of Virginia, Charlottesville  1991: 22-43.
Keywords: text; criticism; editing; authorship; authenticity; society; literature; transmission
Abstract

Small, Ian and Walsh, Marcus (eds.): The theory and practice of text-editing. Cambridge University Press, Cambridge 1991.
Keywords: theory; practice; text; criticism; editing; edition; sources; source studies; manuscript; authorship; authenticity; version; methodology; history; philology; book; publication; publishers; printers; literature

Stillinger, Jack: Multiple authorship and the myth of solitary genius. Oxford University Press, Oxford 1991.
Keywords: authorship; editing; text; criticism; authenticity; source studies; biography; methodology; editorial theory; version; society; publication; intention
Abstract

Tanselle, G. Thomas: 'Textual criticism and literary sociology', in: Studies in Bibliography, 44 (1991): 84-144.
Keywords: text; criticism; editing; methodology; work-concept; literature; source studies

Bennett, Philip and Runnalls, Graham (eds.): The editor and the text. Edinburgh University Press, Edinburgh 1990.
Keywords: text; philology; criticism; interpretation; editing; edition; bibliography; authorship; authentic; intention; variants; geneticism; middle ages; language; France; manuscripts

Bevan, David G. and Wetherill, Peter M. (eds.): Sur la génétique textuelle. Rodopi, Amsterdam 1990.
Keywords: geneticism; text; criticism; source studies; sources; transmission; editing; literature

Feder, Georg: Das Autograph als Quelle wissenschaftlicher Edition, in: Ernst Hilmar (ed.): Internationales Symposium Musikerautographe (= Publikationen des Instituts für österreichische Musikdokumentation, 16). Schneider, Tutzing 1990: 115-14.
Keywords: music; philology; editing; editorial theory; methodology; authenticity; manuscript; source studies; print; printing; practice; facsimile; genesis; criticism
Abstract

Tanselle, Thomas G.: Textual criticism and scholarly editing. University Press of Virginia, Charlottesville 1990.
Keywords: editing; text; criticism; literature; sources; source studies; documents; manuscript; authenticity; authorship; intention; variants; version; methodology; bibliography; history; filiation; hierarchy; publication; publishers; printers; description

Trovato, Paolo: 'Note sulla fissazione dei testi poetici nelle edizioni critiche dei melodrammi', in: Rivista italiana di musicologia, 25/2 (1990): 333-52.
Keywords: genre; opera; music; text; criticism; philology; editing; editorial theory; drama; literature; romanticism; Italy; edition; version; intention; authenticity; source studies
Abstract

Bowers, Fredson: 'Regularization and normalization in modern critical texts', in: Studies in Bibliography, 42 (1989): 80-103.
Keywords: editing; work-concept; criticism; methodology; philology; literature; source studies

Howard-Hill, T. H.: 'Modern textual theories and the editing of plays', in: Library, sixth series, 11 (1989): 89-115.
Keywords: drama; criticism; methodology; intention; literature; work-concept; editing; version

Williams, William Proctor and Abbott, Craig S. : An introduction to bibliographical and textual studies. Second edition (= The Modern Language Association of America). New York 1989.
Keywords: text; criticism; bibliography; editing; editorial theory; methodology; book; history; philology; literature; edition; geneticism; authorship; authenticity; intention; version; manuscripts; source studies; work-concept; printers; publishers

Scheibe, Siegried, Hagen, Waltraud, Laufer, Christel and Motschmann, Uta: Vom Umgang mit Editionen. Eine Einführung in Verfahrensweisen und Methoden der Textologie. Berlin 1988.
Keywords: text; criticism; editing; editorial theory; philology; source studies; history; literature

Nordloh, David J.: 'Socialization, authority, and evidence: reflections on McGann's A critique of modern textual criticism', in: Analytical & Enumerative Bibliography, 1 (1987): 3-12.
Keywords: methodology; text; literature; criticism; 20th century; romanticism; philology; editing; intention; work-concept

McKenzie, D. F.: Bibliography and the sociology of texts. British Library, London 1986.
Keywords: book; history; editing; edition; printers; printing; literature; drama; text; criticism; philology; interpretation; source studies; sources; documents; society
Abstract

Tanselle, G. Thomas: 'Historicism and critical editing', in: Studies in Bibliography, 39 (1986): 1-46.
Keywords: editing; criticism; philology; literature; methodology; work-concept; McGann; Parker; Schillingsburg; Gabler; Bowers; Greg

Parker, Hershel: Flawed texts and verbal icons: literary authority in American fiction.  1984.
Keywords: editing; philology; text; literature; criticism; source studies
Abstract

Shillingsburg, Peter L.: Scholarly editing in the computer age: lectures in theory and practice. University of Michigan Press Press, Ann Arbor 1984.
Keywords: editing; philology; literature; criticism; source studies; work-concept; authenticity; authorship; computer; publishing
Abstract

Blecua, Alberto: Manual de critica textual. Editorial castalia, Madrid 1983.
Keywords: editing; edition; philology; methodology; criticism; text; authorship; intention; documents; source studies; manuscripts; reading; literature; poetry; work-concept; authentic

Noblitt, Thomas L.: Filiation vis-a-vis its alternatives: approaches to textual criticism, in: Ludwig Finscher (ed.): Datierung und Filiation von Musikhandschriften der Josquin-Zeit (= Wolfenbütteler Forschung, 26). Harrassowitz, Wiesbaden 1983: 111-27.
Keywords: vocal music; philology; editing; criticism; interpretation; source studies; renaissance; authenticity; work-concept; version; music
Abstract

McLeod, Randall: 'Unediting Shak-speare', in: Sub-Stance, 33/34 (1982): 28-55.
Keywords: methodology; editing; source studies; sources; literature; William Shakespeare; philology; work-concept
Abstract

Noblitt, Thomas L.: Textual criticism of selected works published by Petrucci, in: Ludwig Finscher (ed.): Quellenstudien zur Musik der Renaissance. I: Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquin Desprez. Harrassowitz, Wiesbaden 1981: 201-244.
Keywords: filiation; hierarchy; source studies; Renaissance; edition; editing; print; printers; publication; publishers; history; music
Abstract

Davis, Tom and Hamlyn, Susan: What do we do when two texts differ? 'She stoops to conquer' and textual criticism, in: Rene Wellek et al. (eds.): Evidence in literary scholarship: Essays in honor of James Marshall Osborne. Oxford 1979: 263-79.
Keywords: philology; editing; sources; source studies; literature; criticism; work-concept; methodology

Millgate, Jane: 'The limits of editing: the problems of Scott's 'The Siege of Malta'', in: Bulletin of Research in the Humanities, 82 (1979): 190-212.
Keywords: methodology; criticism; philology; work-concept; literature; editing

Bowers, Fredson: 'Greg's 'rationale of copy-text' revisited', in: Studies in Bibliography, 31 (1978): 90-161.
Keywords: source studies; criticism; literature; methodology; philology; editing

Foxon, David: 'Greg's 'rationale' and the editing of Pope', in: Library, fifth series, 33 (1978): 119-24.
Keywords: editing; criticism; methodology; work-concept; philology; literature; text; authenticity; authorship; intention; version; publication; source studies; sources; documents

Gaskell, Philip: From writer to reader: studies in editorial method. Oxford 1978.
Keywords: criticism; editing; philology; methodology; literature; work-concept; text; literature; editorial theory; authorship; source studies
Abstract

Bowers, Fredson: 'Some principles for scholarly editions of nineteenth-century American authors', in: Studies in Bibliography, 17 (1976): 223-28.
Keywords: criticism; methodology; editing; literature; work-concept; transcription; publication; interpretation

Tanselle, G. Thomas: 'The editorial problem of final authorial intention', in: Studies in Bibliography, 29 (1976): 167-211.
Keywords: editing; philology; criticism; literature; source studies

Tanselle, G. Thomas: 'Greg's theory of copy-text and the editing of American literature', in: Studies in Bibliography, 28 (1975): 167-229.
Keywords: methodology; criticism; editing; literature; philology; text

Hilzinger, Klaus Harro: 'Über kritische Edition literarischer und musikalischer Texte', in: Euphorion, 68/2 (1974): 198-210.
Keywords: editing; edition; music; interpretation; work-concept; editorial theory; medieval; text; criticism; transcription; performance
Abstract

West, Martin L.: Textual criticism and editorial technique applicable to Greek and Latin texts. Stuttgart 1973.
Keywords: translation; transcription; Latin; source studies; philology; text; criticism; editing; documents; language

Avalle, D'Arco Silvio: Principi di critica testuale. Antenore, Padova 1972.
Keywords: text; criticism; editing; philology; literature; source studies; editorial theory; methodology; poetry; manuscript

Baird, John D.: Editing texts of the romantic period; papers given at the Conference on Editorial Problems, University of Toronto, November 1971. Hakkert, Toronto 1972.
Keywords: editing; criticism; text; philology; methodology; romanticism; documents; source studies; edition; bibliography; work-concept; ontology; intention; interpretation

Gaskell, Philip: A new introduction to bibliography. Clarendon Press, Oxford 1972 (Reprint 1985).
Keywords: bibliography; book; history; editing; criticism; source studies; literature; methodology; printers; press; biography; editorial theory; sources; publication; society
Abstract

Thorpe, James: Principles of textual criticism. Huntington Library, San Marino, CA 1972.
Keywords: editing; methodology; text; criticism; philology; sources; source studies; literature; editorial theory; edition; history; book; authorship; authenticity; version
Abstract

Willis, James: Latin textual criticism (= Illinois studies in language and literature, 61). Urbana, Chicago & London 1972.
Keywords: transcription; translation; text; criticism; editing; source studies; documents; philology; Latin; language; translation

Gottesman, Ronald: Art and error: modern textual editing. Indiana University Press, Bloomington 1970.
Keywords: editing; text; criticism; literature; methodology; edition; sources; source studies; documents; manuscript; publication; editorial theory; philology; bibliography

Tanselle, G. Thomas: 'The meaning of copy-text: a further note', in: Studies in Bibliography, 23 (1970): 191-96.
Keywords: methodology; concept; criticism; philology; editing

Baender, Paul: 'The meaning of copy-text', in: Studies in Bibliography, 22 (1969): 311-18.
Keywords: methodology; concept; editing; philology; editorial theory; source studies; sources; methodology; disputes; text; criticism; history
Abstract

Greg, Walter W.: An Elizabethan printer and his copy, in: J. C. Maxwell (ed.): Collected papers. Clarendon Press, Oxford 1966: 95-109.
Keywords: book; trade; history; England; London; Renaissance; Elizabeth I; printers; printing; publishers; bibliography; methodology; philology; text; criticism; literature

Bateson, F. W.: 'Modern bibliography and the literary artifact', in: English Studies Today, 2nd series (1961): 66-77.
Keywords: art; work-concept; editorial theory; text; criticism; philology; source studies; sources; society; literature; drama; performance; theory

Bowers, Fredson: Textual and literary criticism. Cambridge 1959.
Keywords: editing; methodology; literature; criticism; philology; text; editorial theory

Bald, R. C.: 'Editorial problems: a preliminary survey', in: Studies in Bibliography, 3 (1950-51): 3-17.
Keywords: editing; edition; philology; text; criticism; methodology; bibliography; source studies; documents; work-concept; intention; interpretation

Greg, Walter W.: 'The rationale of copy-text', in: Studies in Bibliography, 3 (1950-51): 19-36.
Keywords: criticism; literature; methodology; editing; philology; text; literature; authorship; authenticity; intention; editorial theory; book; source studies; sources; documents; manuscript; version

Greg, Walter W.: 'Prompt copies, private transcripts, and the playhouse scrivener', in: The Library, fourth series, 6 (1925): 148-56.
Keywords: book; printing; printers; publishers; philology; manuscripts; methodology; England; Renaissance; Elizabeth I; James I; London; theatre; drama; literature; poetry; editing; process; bibliography; history; publication; performance

Blayney, Peter: 'Greg's 'rationale', copy-text, and textual theories', in: 000, 000 (000): 000.
Keywords: methodology; concept; criticism; editing; philology

Morent, Stefan and Schräder, Gregor: Tübingen - digital critical edition of medieval music - the music of Hildegard von Bingen [1198-1179] . Paper presented at Digitale Medien und Musikedition, Kolloquium des Ausschusses für musikwissenschaftliche Editionen der Union der deutschen Akademien der Wissenschaften, Akademie der Wissenschaften, Mainz,. http://www.adwmainz.de/fileadmin/adwmainz/MuKo_Veranstaltungen/S2-Digitale_Medien/TueBingen.pdf
Keywords: edition; editing; philology; music; medieval; computer; media; publication; notation

B. Music Editing

Sachs, Carolyn (ed): An Introduction to music publishing: a tour through the music publishing operations involved in transforming the composer's manuscript into a printed publication and its dissemination to the student and the performer: including articles on contemporary music, music publishing, and related areas / by Arnold Broido ... [et al.]; preface by Joseph Machlis. C.F. Peters, New York c1981.
Keywords: publication; source studies; manuscript; print; editing; edition; printers; history; music; publishers

Broude, Ronald: 'Musical works, musical texts, and musical editions', in: Scholarly Editing: The Annual of the Association for Documentary Editing, 33 (2012). http://www.scholarlyediting.org/2012/essays/essay.broude.html
Keywords: work-concept; editing; music; editing; edition; theory; history; urtext; performance; digital; media; computer

Troelsgård, Christian: Byzantine neumes: a new introduction to the Middle Byzantine musical notation. Museum Tusculanum, Copenhagen 2012.
Keywords: paleography; notation; Medieval; manuscript; philology; source studies; transcription; music

Geertinger, Axel Teich and Pugin, Laurent: 'MEI for bridging the gap between music cataloguing and digital critical edition', in: Die Tonkunst, 5/3 (2011): 289-94.
Keywords: digital; computer; editing; music; media; bibliography

Hauge, Peter: '[review of:] John Birchensha: Writings on Music. Ed. by Christopher D. S. Field and Benjamin Wardhaugh', in: Music and Letters, 92/4 (2011): 647-49.
Keywords: philology; music; literature; music theory; editing; renaissance; England

Kepper, Johannes: Musikedition im Zeichen neuer Medien. Historische Entwicklung und gegenwärtige Perspektive musikalischer Gesamtausgaben (= Schriften des Instituts für Dokumentologie und Editorik, 5). BoD Norderstedt,  2011.
Keywords: editing; edition; media; computer; history

Rossi, Germán Pablo and Del Rio Riande, María Gimena: 'O que vos nunca cuidei a dizer: Musicología y filología en la edicíon del Cancionero del rey Don Denis', in: Revista de musicología, 33/1-2 (2010): 235-246.
Keywords: philology; music; medieval; notation; text
Abstract

Veit, Joachim: 'I concerti per clarinetto e orchestra di Carl Maria von Weber: Testimoni, edizione ed esecuzione. Il Parte: L'edizione digitale delle opere per clarinetto di Weber: Un nuovo approccio alla critica testuale comparativa e analisi', in: Philomusica on-line: Rivista del Dipartimento di Scienze Musicologiche e Paleografico-Filologiche, 9/2 (2010): 179-299.
Keywords: editing; edition; computer; philology; source studies; manuscript; publication; performance practice
Abstract

Ander, Owe and Lundberg, Mattias: 'Principer, frågor och problem i musikvetenskapligt editionsarbete', in: Svensk tidskrift för musikforskning, 91 (2009): 49-76.
Keywords: bibliography; editing; criticism; music; source studies; edition; sociology; philology; methodology
Abstract

Donin, Nicolas: Genetic criticism and cognitive anthropology: a reconstruction of Philippe Leroux's compositional process for voi(rex), in: Joseph E. Jones et al. (eds.): Genetic criticism and the creative process: essays from music, literature, and theater . University of Rochester, Rochester, N.Y. 2009: 000-000.
Keywords: criticism; geneticism; version; variants; music; vocal music; performance; compositional process; creative process; editing; transcription; transmission; philology; source studies; sources; methodology; editorial theory

Hauge, Peter: '[review of:] A Brief and Short Instruction of the Art of Musicke by Elway Bevin. Ed. by Denis Collins', in: Music and Letters, 90/1 (2009): 160-62.
Keywords: philology; music; text; editing; renaissance; England

Jones, Joseph E. and Kinderman, William (eds.): Genetic criticism and the creative process, essays from music, literature, and theater, edited by Joseph E. Jones and William Kinderman . University of Rochester, Rochester, N.Y. 2009.
Keywords: geneticism; music; manuscripts; transmission; transcription; source studies; sources; documents; text; literature; drama; theatre; criticism; work-concept; variants; version; creative process; philology; performance; performance practice; filiation; hierarchy; compositional process; bibliography
Abstract

Lebrave, Jean-Louis: Can genetic criticism be applied to the performing arts?, in: Joseph E. Jones et al. (eds.): Genetic criticism and the creative process: essays from music, literature, and theater . University of Rochester, Rochester, N.Y. 2009: 000-000.
Keywords: Geneticism; criticism; performance; performance practice; music; theatre; art; drama; literature; text; source studies; editing; editorial theory; transmission; variants; version; philology; interpretation

Lernout, Geert: From varieties of genetic experience to radical philology, in: Joseph E. Jones et al. (eds.): Genetic criticism and the creative process: essays from music, literature, and theater . University of Rochester, Rochester, N.Y. 2009: 000-000.
Keywords: geneticism; philology; editing; text; literature; source studies; transcription; transmission; variants; version; music

Stadler, Peter and Veit, Joachim (eds.): Digitale Edition zwischen Experiment und Standarisierung: Musik - Text - Codierung (= Beihefte zu Editio 31). Walter de Gruyter,  2009.
Keywords: editing; music; text; media; editorial theory; literature; literary theory; philology; history; edition; source studies

Veit, Joachim and Stadler, Peter (eds.): Digitale Edition zwischen Experiment und Standardisierung. Musik –Text – Codierung (= Beihefte zu Editio, 31). Max Niemayer Verlag, Tübingen 2009.
Keywords: editing; music; media; publication
Abstract

Wiering, Frans: Digital critical editions of music: a multidimensional model, in: Tim Crawford et al. (eds.): Modern methods for musicology: prospects, proposals, and realities. Ashgate Publishing Ltd., Farnham 2009: 23-46.
Keywords: media; editing; publication; music

Christoffersen, Peter Woetmann: Publishing 15th-century music: open access and digital editing. Paper presented at Digital editions of music, University of Copenhagen 2008. http://digitaleditions.musikvidenskab.ku.dk
Keywords: media; computer; editing; edition; music; renaissance; source studies; publication; interpretation; facsimile; version

Geertinger, Axel Teich: Digital editions: an introduction. University of Copenhagen 2008. http://digitaledition.musikvidenskab.ku.dk
Keywords: media; edition; music

Kepper, Johannes: The Edirom tools as an approach to digital editions of music from the Common Western Notation period. Paper presented at Digital editions of music, University of Copenhagen 2008. http://digitaleditions.musikvidenskab.ku.dk
Keywords: media; computer; music; edition; publication; editing; interpretation; reception; facsimile; source studies; methodology

Lewis, Richard J.: Digital music encoding as cultural practice. MMus, University of East Anglia 2008. http://www2.lib.virginia.edu/innovation/mei/Papers/LewisRJ08.pdf
Keywords: computer; media; music; editing; notation; methodology
Abstract

Vetch, Paul: CFEO and OCVE as digital editions: models, methods, and outcomes. Paper presented at Digital editions of music, University of Copenhagen 2008. http://digitaleditions.musikvidenskab.ku.dk
Keywords: methodology; music; media; computer; romanticism; Chopin; publication; source studies; edition

Wiering, Frans: Digital editions of Renaissance polyphony and lute tablatures: the model ad the scholar. Paper presented at Digital editions of music, University of Copenhagen 2008. http://digitaleditions.musikvidenskab.ku.dk
Keywords: media; computer; source studies; publication; edition; renaissance; tablature; music; interpretation

Schräder, Gregor: 'Ein XML-Datenformat zur Repräsentation kritischer Musikeditionen unter besonderer Berücksichtigung von Neumennotation' (2007). http://www.dimused.uni-tuebingen.de/downloads/studienarbeit.pdf
Keywords: computer; media; editing; music; philology; gregorian; medieval; chant
Abstract

Fanning, David: Response to James Grier: 'authority of the composer, authority of the editor', in: Niels Krabbe (ed.): Nordic music editions. Det Kongelige Bibliotek, Copenhagen 2006: 30-36.
Keywords: authorship; authenticity; editing; music; intention; performance; interpretation; edition; criticism

Grier, James: Authority of the composer, authority of the editor, in: Niels Krabbe (ed.): Nordic music editions. Det Kongelige Bibliotek, Copenhagen 2006: 17-29.
Keywords: authorship; authenticity; editing; music; intention; source studies; performance; criticism
Abstract

Hauge, Peter: Masking the sleeping pillow: Nielsen's opera Maskarade, in: Niels Krabbe (ed.): Nordic music editions. Det Kongelige Bibliotek, Copenhagen 2006: 45-50.
Keywords: editing; music; theatre; drama; genre; opera; symphony; instrumental; vocal music; intention; authenticity; authorship; version; performance; performance practice; edition; methodology; history; editorial theory; manuscripts; source studies; philology; work-concept
Abstract

Krabbe, Niels (ed): Nordic music editions. Det Kongelige Bibliotek, Copenhagen 2006.
Keywords: editing; edition; editorial theory; publication; performance; performance practice; source studies; analysis; methodology; criticism; music

Kube, Michael: Aspects of German scholarly editions, in: Niels Krabbe (ed.): Nordic music editions. Det Kongelige Bibliotek, Copenhagen 2006: 58-63.
Keywords: editing; history; edition; criticism; music
Abstract

Zahn, Robert von: 'Transkription und Fassung: Kolloquium des Ausschusses für musikwissenschaftliche Editionen an der Akademie der Wissenschaften und der Literatur', in: Die Musikforschung, 57/3 (2004): 275-76.
Keywords: transcription; editing; edition; music

Hauge, Peter: 'Carl Nielsen and intentionality: concerning the editing of Nielsen's works', in: Carl Nielsen Studies, 1 (2003): 42-81.
Keywords: manuscripts; source studies; sources; paleography; performance practice; intention; variants; version; geneticism; authorship; authenticity; methodology; editorial theory; philology; work-concept; editing; music; Denmark; edition; publication; history
Abstract

Breig, Werner: Probleme der Edition älterer deutscher Orgelmusik, in: Musikedition: Mittler zwischen Wissenschaft und musikalischer Praxis.  2002: 49-62.
Keywords: editing; notation; organ; baroque; Renaissance; Germany; interpretation; music; criticism; edition; manuscripts; source studies; sources; philology; music

Breig, Werner: Die Editionsgeschichte der Geistlichen Chormusik von Heinrich Schütz, in: Helga Lühning (ed.): Musikedition: Mittler zwischen Wissenschaft und musikalischer Praxis (= Beihefte zu Editio, 17). Max Niemayer Verlag, Tübingen 2002: 237-276.
Keywords: baroque; history; editing; edition; Germany; vocal music; polyphony; church; sacred; choir; music

Dürr, Walther: Notation und Auffürungspraxis: Artikulation und Dynamik bei Schubert, in: Helga Lühning (ed.): Musikedition: Mittler zwischen Wissenschaft und musikalischer Praxis (= Beihefte zu Editio, 17). Max Niemayer Verlag, Tübingen 2002: 313-327.
Keywords: editing; source studies; sources; paleography; philology; romanticism; Germany; performance; performance practice; articulation; dynamics; interpretation; music; criticism; methodology; editorial theory; notation

Dürr, Walther: Verfahrensweisen bei der Mischung ungleichwertiger Quellen, in: Helga Lühning (ed.): Musikedition: Mittler zwischen Wissenschaft und musikalischer Praxis (= Beihefte zu Editio, 17). Max Niemayer Verlag, Tübingen 2002: 107-118.
Keywords: methodology; editing; music; sources; source studies; documents; editorial theory; philology; criticism

Emans, Reinmar: Lesarten--Fassungen--Bearbeitungen: Probleme der Darstellung--Probleme der Bewertung, in: Helga Lühning (ed.): Musikedition: Mittler zwischen Wissenschaft und musikalischer Praxis (= Beihefte zu Editio, 17). Max Niemayer Verlag, Tübingen 2002: 189-196.
Keywords: editing; source studies; methodology; music; edition; interpretation; criticism; editorial theory; philology

Emans, Reinmar: Quellenmischung von Partitur und Stimmen in der Neuen Bach-Ausgabe: Ein legitimes Verfahren der Edition?, in: Helga Lühning (ed.): Musikedition: Mittler zwischen Wissenschaft und musikalischer Praxis (= Beihefte zu Editio, 17). Max Niemayer Verlag, Tübingen 2002: 97-106.
Keywords: editing; source studies; sources; documents; music; baroque; methodology; practice; performance practice; intention; variants; authenticity; philology

Gülke, Peter: Wissenschaftliche Edition und musikalische Praxis: Defizite, Chancen und gemeinsame Zuständigkeiten, in: Helga Lühning (ed.): Musikedition: Mittler zwischen Wissenschaft und musikalischer Praxis (= Beihefte zu Editio, 17). Max Niemayer Verlag, Tübingen 2002: 19-30.
Keywords: edition; editing; criticism; music; performance practice; practice; methodology

Huck, Oliver: Der Editor als Leser und der Leser als Editor: Offene und geschlossene Texte in Editionen polyphoner Musik des Mittelalters, in: Helga Lühning (ed.): Musikedition: Mittler zwischen Wissenschaft und musikalischer Praxis (= Beihefte zu Editio, 17). Max Niemayer Verlag, Tübingen 2002: 33-47.
Keywords: editing; medieval; middle ages; polyphony; vocal music; music; criticism; text; work-concept; audience; readership; interpretation; editorial theory

Lühning, Helga: Bedeutungen des Autographs für die Edition, in: Helga Lühning (ed.): Musikedition: Mittler zwischen Wissenschaft und musikalischer Praxis (= Beihefte zu Editio, 17). Max Niemayer Verlag, Tübingen 2002: 85-96.
Keywords: manuscripts; editing; music; interpretation; methodology; source studies; intention; authenticity

Lühning, Helga (ed): Musikedition: Mittler zwischen Wissenschaft und musikalischer Praxis (= Beihefte zu Editio, 17). Max Niemayer Verlag, Tübingen 2002.
Keywords: editing; music; methodology; philology; editorial theory; source studies; manuscript; sources; history; authenticity; authorship; intention

Schmidt, Christian Martin: Zwischen Quellentreue und Werkrezeption, oder, Dem Wandel des historischen Bewußtseins ist nicht zu entkommen, in: Helga Lühning (ed.): Musikedition: Mittler zwischen Wissenschaft und musikalischer Praxis (= Beihefte zu Editio, 17). Max Niemayer Verlag, Tübingen 2002: 3-17.
Keywords: authenticity; work-concept; reception; music; history; editing; notation; interpretation; source studies; criticism

Urchueguía, Cristina: Note, Buchstabe, Zahl: Notation und Edition in der Musik der Renaissance am Beispiel von Gonçalo de Vaenas Arte nouamente inuentada, in: Bodo Plachta et al. (eds.): Edition und Übersetzung: Zur wissenschaftlichen Dokumentation des interkulturellen Texttransfers (= Beihefte zu Editio, 18). Max Niemayer Verlag, Tübingen 2002: 000-000.
Keywords: editing; music; paleography; translation; notation; source studies; manuscripts; organ; instrumental; transcription; edition; methodology; philology
Abstract

Wolf, Uwe: Edition alter Musik: Von der Notwendigkeit und der Crux der Übersetzung, in: Bodo Plachta et al. (eds.): Edition und Übersetzung: Zur wissenschaftlichen Dokumentation des interkulturellen Texttransfers (= Beihefte zu Editio, 18). Max Niemayer, Tübingen 2002.
Keywords: editing; performance; performance practice; edition; Renaissance; baroque; source studies; middle ages; medieval; interpretation; notation; transcription; music
Abstract

Grier, James: Editing, in: Stanley Sadie et al. (eds.): The new Grove dictionary of music and musicians. Macmillan Publishers Ltd., London 2001: 885-95.
Keywords: editing; criticism; music; history; bibliography; edition; philology; manuscripts; source studies; sources; documents; methodology; editorial theory; publication; printers; publishers; authorship; authenticity; hierarchy; filiation; transmission; transcription; performance; performance practice; audience; readership

Horn, David: Some thoughts on the work in popular music, in: Michael Talbot (ed.): The musical work: reality or invention?. Liverpool University Press, Liverpool 2000: 14-34.
Keywords: popular music; history; work-concept; authenticity; authorship; music; aethestics; performance
Abstract

Samson, Jim: The practice of early-nineteenth-century pianism, in: Michael Talbot (ed.): The musical work: reality or invention?. Liverpool University Press, Liverpool 2000: 110-27.
Keywords: performance practice; keyboard; romanticism; history; music; aesthestics; ornamentation; improvisation; work-concept; authenticity; authorship; performance
Abstract

Strohm, Reinhard: Looking back at ourselves: the problem with the musical work-concept, in: Michael Talbot (ed.): The musical work: reality or invention. Liverpool University Press, Liverpool 2000: 128-52.
Keywords: work-concept; music; aesthestics; philosophy; genesis; authenticity; authorship; history; art
Abstract

Tagg, Philip: 'The work': an evaluative charge, in: Michael Talbot (ed.): The musical work: reality or invention?. Liverpool University Press, Liverpool 2000: 153-67.
Keywords: work-concept; popular music; aesthestics; philosophy; art; authenticity; authorship; history; music
Abstract

Talbot, Michael (ed): The musical work: reality or invention. Liverpool University Press, Liverpool 2000. http://www.questia.com/library/book/the_musical_work_reality_or_invention_by_michael_talbot.jsp
Keywords: work-concept; aesthestics; philosophy; music; history; authenticity; authorship; popular music; practice

Talbot, Michael: The work-concept and composer-centredness, in: Michael Talbot (ed.): The musical work: reality or invention?. Liverpool University Press, Liverpool 2000: 168-86.
Keywords: aesthestics; notation; paleography; philology; music; history; work-concept; genre; performance; practice; composer; art
Abstract

Plachta, Bodo: Teaching editing - learning editing, in: Christa Jansohn (ed.): Problems of Editing (= Beihefte zur Editio). De Gruyter,  1999: 18-32.
Keywords: editing; theory; practice

Rastall, Richard and Rayner, Julie: William Byrd: six-part fantasias in G minor. Ashgate, Aldershot 1999.
Keywords: composition; composers; England; Elizabeth I; Renaissance; compositional process; source studies; documents; philology; editing; performance; practice
Abstract

Albert, Claudia: Probleme der Darstellung: Wünsche der Germanisten an die Editoren, in: Walther Dürr et al. (eds.): Der Text im musikalischen Werk: Editionsprobleme aus musikwissenschaftlicher und literaturwissenschaftlicher Sicht (= Beihefte zur Zeitschrift für deutsche Philologie). Eric Schmidt Verlag, Berlin 1998: 73-83.
Keywords: performance practice; editing; vocal music; text; music; criticism; notation; interpretation; literature; edition; methodology; media
Abstract

Allroggen, Gerhard: Vertonter Text und Komposition, in: Walther Dürr et al. (eds.): Der Text im musikalischen Werk: Editionsprobleme aus musikwissenschaftlicher und literaturwissenschaftlicher Sicht (= Beihefte zur Zeitschrift für deutsche Philologie). Eric Schmidt Verlag, Berlin 1998: 257-262.
Keywords: editorial theory; editing; practice; romanticism; Germany; music; work-concept; drama; literature; composition
Abstract

Appel, Bernhard R.: Kontamination oder wechselseitige Erhellung der Quellen? Anmerkungen zu Problemen der Textkonstitution musikalischer Werke, in: Walther Dürr et al. (eds.): Der Text im musikalischen Werk: Editionsprobleme aus musikwissenschaftlicher und literaturwissenschaftlicher Sicht (= Beihefte zur Zeitschrift für deutsche Philologie). Erich Schmidt Verlag, Berlin 1998: 22-42.
Keywords: editing; methodology; source studies; sources; performance; philology; editorial theory; documents; variants; version; intention; authenticity; authorship; criticism; interpretation; music
Abstract

Dadelsen, Georg von: Text als Geschichte. Über die traditionellen Positionen der dt. Musikphilologie, in: Tobias Plebuch et al. (eds.): Musik als Text. Bärenreiter, Kassel 1998: 248-252.
Keywords: work-concept; editing; transmission; media; music; methodology; art
Abstract

Dürr, Walther: Probleme der Textedition bei J.S. Bach, in: Walther Dürr et al. (eds.): Der Text im musikalischen Werk: Editionsprobleme aus musikwissenschaftlicher und literaturwissenschaftlicher Sicht (= Beihefte zur Zeitschrift für deutsche Philologie). Eric Schmidt Verlag, Berlin 1998: 98-112.
Keywords: notation; editing; edition; music; text; criticism; Germany; vocal music; poetry; literature; variants; romanticism
Abstract

Dürr, Walther, Lühning, Helga, Oellers, Norbert and Steineke, Harmuth (eds.): Der Text im musikalischen Werk. Editionsprobleme aus musikwissenschaftlicher und litteraturwissenschaftlicher Sicht. (= Beiheft zur Zeitschrift für Deutsche Philologie, 8). Erich Schmidt Verlag, Berlin 1998.
Keywords: music; editing; methodology; criticism; text; literature; philology; intention; work-concept; performance practice; authorship; editorial theory; drama; theatre; opera; genre; interpretation; version; geneticism; manuscripts; source studies; work-concept
Abstract

Emans, Reinmar: Probleme der Textedition bei J.S. Bach, in: Walther Dürr et al. (eds.): Der Text im musikalischen Werk: Editionsprobleme aus musikwissenschaftlicher und literaturwissenschaftlicher Sicht (= Beihefte zur Zeitschrift für deutsche Philologie). Eric Schmidt Verlag, Berlin 1998: 87-97.
Keywords: text; criticism; music; philology; Germany; baroque; editing; edition; methodology; editorial theory; literature
Abstract

Martens, Gunter: Was die Handschriften sagen: Überlegungen zur Bedeutung und Praxis textgenetischer Editionen, in: Walther Dürr et al. (eds.): Der Text im musikalischen Werk: Editionsprobleme aus musikwissenschaftlicher und literaturwissenschaftlicher Sicht (= Beihefte zur Zeitschrift für deutsche philologie). Eric Schmidt Verlag, Berlin 1998: 58-72.
Keywords: performance; performance practice; notation; interpretation; music; criticism; philology; edition; editing; methodology; editorial theory; geneticism; variants; version; authentic; authenticity; authorship
Abstract

Meier, Andreas: Der Liedkommentar als Problem komparatistischer Editorik: Zu Reichardts und Zelters Klassiker-Vertonungen, in: Walther Dürr et al. (eds.): Der Text im musikalischen Werk: Editionsprobleme aus musikwissenschaftlicher und literaturwissenschaftlicher Sicht (= Beihefte zur Zeitschrift für deutsche Philologie). Eric Schmidt Verlag, Berlin 1998: 113-127.
Keywords: poetry; literature; notation; music; performance practice; text; criticism; edition; variants; interpretation; reading; transmission; vocal music; song; music
Abstract

Oellers, Norbert: Authentizität als Editionsprincip, in: Walther Dürr (ed.): Der Text im musikalischen Werk: Editionsprobleme aus musikwissenscaftlicher und literaturwissenschaftlicher Sicht (= Beihefte zur Zeitschrift für Deutsche Philologie). Erich Schmidt Verlag, Berlin 1998: 43-57.
Keywords: music; text; criticism; edition; editing; philology; editorial theory; methodology; authenticity; authorship
Abstract

Plachta, Bobo: Zwischen Musiktheater und Sprechtheater: Zur literaturwissenschaftlichen Begründung einer Edition deutschsprachiger Operntexte des 17. und 18. Jahrhunderts, in: Walther Dürr et al. (eds.): Der Text im musikalischen Werk: Editionsprobleme aus musikwissenschaftlicher und literaturwissenschaftlicher Sicht (= Beihefte zur Zeitschrift für deutsche Philologie). Eric Schmidt Verlag, Berlin 1998: 147-156.
Keywords: baroque; publishers; printers; text; poetry; literature; drama; edition; history; Germany; opera; vocal music; music; readership; audience
Abstract

Schmid, Manfred Hermann: Worte im Zeichen von Musik, in: Walther Dürr et al. (eds.): Der Text im musikalischen Werk: Editionsprobleme aus musikwissenschaftlicher und literaturwissenschaftlicher Sicht (= Beihefte zur Zeitschrift für deutsche Philologie). Eric Schmidt, Berlin 1998: 11-21.
Keywords: notation; paleography; text; music; editing; edition; philology; vocal music; language; Renaissance; baroque; work-concept
Abstract

Steinecke, Harmut: Der Dichter und der Komponist: Zur Einführung--Fragen und Thesen, in: Walther Dürr et al. (eds.): Der Text im musikalischen Werk: Editionsprobleme aus musikwissenschaftlicher und literaturwissenschaftlicher Sicht (= Beihefte zur Zeitschrift für deutsche Philologie). Eric Schmidt Verlag, Berlin 1998: 235-239.
Keywords: text; literature; romanticism; Germany; music; editorial theory; methodology; criticism; interpretation
Abstract

Wyss, Ulrich: Die Inszenierung des Operntexts im Libretto, in: Walther Dürr et al. (eds.): Der Text im musikalischen Werk: Editionsprobleme aus musikwissenschaftlicher und literaturwissenschaftlicher Sicht (= Beihefte zur Zeitschrift für deutsche Philologie). Eric Schmidt Verlag, Berlin 1998: 275-283.
Keywords: literature; text; printers; publishers; editing; drama; opera; work-concept; performance; history; reception; music; rhythm
Abstract

Fjeldsøe, Michael: 'Om videnskabelig editionsteknik', in: Musik & forskning, 23 (1997-98): 159-176.
Keywords: editing; philology; music; criticism
Abstract

Kreyszig, Walter Kurt: Preparing editions and translations of Humanist treatises on music: Franchino Gaffurio's Theorica Musice (1492), in: Maria Rika Maniates (ed.): Music discourse from classical to early modern times. University of Toronto Press, Toronto 1997: 71-95.
Keywords: criticism; translation; transcription; interpretation; music theory; Renaissance; Latin; language; philology; text; methodology; editing; edition; source studies; documents; reception; readership
Abstract

Maniates, Maria Rika (ed): Music discourse from classical to early modern times. Papers given at the twenty-sixth annual conference on editorial problems, University of Toronto, 19-20 October 1990. University of Toronto Press, Toronto 1997.
Keywords: edition; publishers; source studies; documents; text; methodology; criticism; music; middle ages; Renaissance; editing; language; transcription; source studies; documents; philology; sacred; secular; bibliography

Palisca, Claude V.: Fidelities and infidelities in translating early music theory, in: Maria Rika Maniates (ed.): Music discourse from the classical to early modern times. University of Toronto Press, Toronto 1997: 1-16.
Keywords: criticism; translation; editing; music theory; renaissance; Latin; Italian; language; source studies; documents; philology; text; methodology; interpretation
Abstract

Struck, Michael: Brahms-Philologie ohne die Briefe des Meisters? Eine Fallstudie, in: Gabriele Buschmeier et al. (eds.): Komponistenbriefe des 19. Jahrhunderts (= Akademie der Wissenschaften und der Literatur: Abhandlung der Geistes- und Sozialwissenschaftlichen Klasse, 1997:4). Steiner, Stuttgart 1997: 26-58.
Keywords: editing; music; documents; source studies; sources; correspondence; romanticism; Germany; interpretation; authenticity; methodology; text; criticism
Abstract

Talbot, Michael: Izpisati ali ne: Continuo v modernih kriticnih idajah barocne glasbe, in: Oto Luthar et al. (eds.): Histori. Slovenska Akademija Znanosti in Umetnosti Ljubljana, Ljubljana 1997: 237-46.
Keywords: history; music; edition; editing; notation; performance; performance practice; baroque; keyboard
Abstract

Toffetti, Marina and Caraci Vela, Maria (eds.): Edizioni moderne di musica antica, sei letture critiche, a cura di Marina Toffetti, prefazione di Maria Caraci Vela (= didattica della filologia musicale, 1). Lucca 1997.
Keywords: music; editing; history; criticism; editorial theory; edition; source studies; sources; documents; Italy; Renaissance; medieval; practice; transcription; philology; methodology

Campagnolo, Stefano (ed): Problemi e metodi della filologia musicale: Tre tavole rotonde (= Didattica della filologia musicale, 2). Musica/Realtà-LIM, Lucca 1996.
Keywords: editing; music; edition; philology; history; Renaissance; medieval; baroque; notation; transcription; transmission; source studies; sources; documents; interpretation; text; criticism; work-concept; vocal music; polyphony; sacred; secular; liturgy; church; genre; performance; performance practice; romanticism

Grier, James: The critical editing of music: history, method, and practice. Cambridge University Press, Cambridge 1996.
Keywords: editing; criticism; philology; music; source studies; paleography; work-concept; methodology; bibliography
Abstract

Grier, James: 'On the critical editing of music', in: Irish musical studies, 5 (1996): 119-30.
Keywords: editing; philology; criticism; music; text; edition; work-concept; history; authenticity; authorship; intention; version; variants; geneticism; editorial theory; methodology; paleography; source studies; documents; performance; practice; history
Abstract

Mangani, Marco: Sull'edizione del testo musicato (e su altro ancora), in: Stefano Campagnolo (ed.): Problemi e metodi della filologia musicale: Tre tavole rotonde (= Didattica della filologia musicale, 2). Musica/Realtà-LIM, Lucca 1996: 55-60.
Keywords: Renaissance; music; text; editing; edition; media; criticism; methodology; source studies; sources
Abstract

Sala, Mariella: L'edizione critica: Fedeltà or comodità?, in: Stefano Campagnolo (ed.): Problemi e metodi della filologia musicale: Tre tavole rotonde. Musica/Realtà-LIM, Lucca 1996: 89-92.
Keywords: tempo; rhythm; prolation; time signatures; baroque; editing; interpretation; music
Abstract

Atlas, Allan W.: Metodi per stabilire il grado di parentela tra i testimoni, in: Maria Caraci Vela (ed.): La critica del testo musicale: Metodi e problemi della filologia musicale. Libreria Editrice Musicale, Lucca 1995: 000-000.
Keywords: sources; source studies; documents; hierarchy; editing; edition; methodology; history; manuscripts; printers; Renaissance; medieval; music

Bray, Roger: Editing and performing musica speculativa, in: John Morehen (ed.): English choral practice c.1400–c.1650: A memorial volume to Peter Le Huray. Cambridge University Press, Cambridge 1995: 48-73.
Keywords: editing; paleography; sources; source studies; manuscript; music; Renaissance; notation; interpretation; methodology; editorial theory; edition
Abstract

Brinkmann, Reinhold: Quello che ci narrano le fonti...: Un capitolo di filologia musicale, in: Maria Caraci Vela (ed.): La critica del testo musicale: Metodi e problemi della filologia musicale. Libreria Editrice Musicale, Lucca 1995: 359-75.
Keywords: manuscripts; source studies; documents; sources; philology; music; text; modern; work-concept; art
Abstract

Caraci Vela, Maria (ed): La critica del testo musicale: Metodi e problemi della fililogia musicale (= Studi e testi musicali: Nuova serie, 4). Libreria Musicale Italiana, Lucca 1995.
Keywords: philosophy; criticism; methodology; philology; aesthetics; music; editing; intention; urtext; source studies; Renaissance; baroque; romanticism; interpretation; bibliography

Morehen, John: The "burden of proof": the editor as detective, in: John Morehen (ed.): English choral practice, 1400-1650 (= Cambridge studies in performance practice). Cambridge University Press, Cambridge 1995: 200-20.
Keywords: philology; source studies; documents; criticism; editing; Renaissance; England; Elizabeth I
Abstract

Schmid, Manfred Hermann: Hermeneutik und Philologie, in: Siegfried Mauser et al. (eds.): Hermeneutik im musikwissenschaftlichen Kontext: Internationales Symposion Salzburg 1992 (= Schriften zur musikalischen Hermeneutik, 4). Laaber-Verlag, Laaber 1995: 113-116.
Keywords: philology; editing; music; editorial theory; methodology; interpretation; criticism; hermeneutics

Schmidt, Christian Martin: Editionsteknik, in: Ludwig Finscher (ed.): Die Musik in Geschichte und Gegenwart / Allgemeine Enzyklopädie der Musik begründet von Friedrich Blume / Zweite neuarbeitete Ausgabe. Bärenreiter, Kassel 1995: cols. 1656-80.
Keywords: editing; criticism; music; history; bibliography; edition; philology; manuscripts; source studies; sources; documents; methodology; editorial theory; publication; printers; publishers; authorship; authenticity; hierarchy; filiation; transmission; transcription; performance; performance practice; audience; readership

Schubert, Giselher: Hermeneutik und Philologie, in: Siegfried Mauser et al. (eds.): Hermeneutik im musikwissenschaftlichen Kontext: Internationales Symposion Salzburg 1992 (= Schriften zur musikalischen Hermeneutik, 4). Laaber-Verlag, Laaber 1995: 117-124.
Keywords: philology; music; interpretation; editing; editorial theory; methodology; criticism; hermeneutics

Bent, Margaret: 'Editing early music: the dilemma of translation', in: Early Music, 22 (1994): 373-92.
Keywords: Renaissance; analysis; work-concept; editing; criticism; music; work-concept
Abstract

La Face Bianconi, Giuseppina: 'Filologia dei testi poetici nella musica vocale italiana', in: Acta musicologica, 66/1 / 2 (1994): 1-21 / 139.
Keywords: editing; vocal music; music; performance; performance practice; rhythm; philology; text; literature; poetry; editorial theory; version; sources
Abstract

Levašev, Evgenij Mihajlovic: Problemy redaktirovanija, restavracii i rekonstrukcii muzykal'nyh proizvedenij na materiale tvorcestva russkih kompozitorov XVII-XX vekov. Ph.D., Iskusstvov from Rossiskij Institut Iskusstvoznanija, Moskva, Moscow 1994.
Keywords: editing; music; Russia; methodology; history; source studies; text; criticism; performance
Abstract

Bornstein, George and Williams, Ralph G. (eds.): Palimpsest: editorial theory in the humanities. University of Michigan Press, Ann Arbor 1993.
Keywords: literary theory; literature; music; opera; genre; book; criticism; methodology; philology; modernism; history; editing; edition; text; transcription; transmission; editorial theory; source studies; sources; documents; authorship; authentic; intention; final; Renaissance; poetry; practice

Bujic, Bojan: Notation and realization: musical performance in historical perspective, in: Michael Krausz (ed.): The interpretation of music. Clarendon Press, Oxford 1993: 129-140.
Keywords: performance; interpretation; work-concept; history; performance practice; notation; intention; editing
Abstract

Cohen, H. Robert: On preparing critical studies of the original mise en scène of nineteenth century operas, in: Gianfranco Folena et al. (eds.): Opera & libretto. II (= Studi di musica veneta). Olschki, Florence 1993: 215-224.
Keywords: drama; music; editing; methodology; theatre; text; criticism; interpretation; scenography; genre; opera; performance; performance practice; source studies

Gossett, Philip: Translations and adaptations of operatic texts, in: George Bornstein et al. (eds.): Palimpsest: editorial theory in the humanities. University of Michigan Press, Ann Arbor 1993: 285-304.
Keywords: text; opera; genre; editing; edition; editorial theory; criticism; music; drama; work-concept; translation; language

Bent, Margaret: The limits of notation in defining the musical text, in: Renato Borghi et al. (eds.): L'edizione critica tra testo musicale e testo letterario (= Studi e testi, 3). Università degli Studi di Pavia, Scuola di Paleografia e Filologia Musicale, Cremona 1992: 367-72.
Keywords: edition; editing; methodology; performance; performance practice; music; medieval; text; interpretation; work-concept; philology; polyphony; Renaissance; rhythm; accidentals; musica ficta
Abstract

Bianconi, Lorenzo: Quattro tesi, in: Renato Borghi et al. (eds.): L'edizione critica tra testo musicale e testo letterario (= Studi e testi, 3). Università degli Studi di Pavia, Scuola di Paleografia e Filologia Musicale, Cremona 1992: 429-31.
Keywords: editing; music; text; criticism; vocal music; methodology; philology; editorial theory; work-concept; version
Abstract

Borghi, Renato and Zappalà, Pietro (eds.): L'edizione critica tra testo musicale e testo letterario (= Studi e testi, 3). Cremona 1992.
Keywords: editing; philology; music; text; literature; drama; edition; editorial theory; methodology; sources; source studies; documents; criticism; interpretation; Renaissance; medieval; romanticism; modern

Dürr, Walther: L'edizione di testi letterari nel contesto dell'edizione musicale, in: Renato Borghi et al. (eds.): L'edizione critica tra testo musicale e testo letterario (= Studi e testi, 3). Università degli Studi di Pavia, Scuola di Paleografi e Filologia musicale, Cremona 1992: 69-83.
Keywords: editing; text; philology; music; work-concept; criticism; interpretation; performance; source studies; documents
Abstract

Noblitt, Thomas L.: Criteria for choosing between stemmatically equivalent texts, in: Renato Borghi et al. (eds.): L'edizione critica tra testo musicale e testo letterario. Università degli Studi di Pavia, Scuola di Paleografia e Filologia musicale, Cremona 1992: 213-32.
Keywords: editing; Renaissance; music; hierarchy; sources; source studies; documents; edition; variants; work-concept; philology; editorial theory; text
Abstract

Paulsmeier, Karin: 'Argumente gegen die Edition alter Musik', in: Basler Jahrbuch für historische Musikpraxis. Sonderband (1992): Alte Musik--Konzert und Rezeption (1992): 145-159.
Keywords: editing; renaissance; baroque; performance; notation; performance practice; music

Segre, Cesare: Riflessioni sulla critica testuale, in: Renato Borghi et al. (eds.): L'edizione critica tra testo musicale e testo letterario (= Studi e testi, 3). Università degli Studi di Pavia, Scuola di Paleografi e Filologia musicale, Cremona 1992: 3-8.
Keywords: philology; text; criticism; editing; editorial theory; methodology; media; music
Abstract

Strohm, Reinhard: Does textual criticism have a future?, in: Renato Borghi et al. (eds.): L'edizione critica tra testo musicale e testo letterario (= Studi e testi, 3). Università degli Studi di Pavia, Scuola di Paleografia e Filologia musicale, Cremona 1992: 193-211.
Keywords: geneticism; editing; philology; music; text; intention; source studies; documents; sources; variants; version; editorial theory; work-concept; transcription; transmission
Abstract

Trovato, Paolo: La veste linguistica nelle edizioni critiche: Ammodernamento o conservazione?, in: Renato Borghi et al. (eds.): L'edizione critica tra testo musicale e testo letterario (= Studi e testi, 3). Università degli Studi di Pavia, Scuolo di Palografi e Filologia musicale, Cremona 1992: 85-95.
Keywords: editing; language; music; text; criticism; philology; variants; manuscripts; source studies; sources; documents; methodology; editorial theory
Abstract

Turner, Bruno: The editor: diplomat or dictator? , in: David Fallows et al. (eds.): Companion to medieval and Renaissance music. Schirmer, New York 1992: 249-254.
Keywords: editing; medieval; renaissance; music; methodology; notation; interpretation; authenticity; performance; performance practice; paleography; manuscript; transcription
Abstract

Barbera, Andrè: 'New and revived approaches to text criticism in early music theory', in: Journal of musicology, 9/1 (1991): 57-73.
Keywords: editing; music theory; Renaissance; text; criticism; philology; editorial theory; methodology; source studies; manuscript; print; publication; filiation; hierarchy; transcription; translation
Abstract

Bennwitz, Hanspeter, Buschmeier, Gabriele, Feder, Georg, Hofmann, Klaus and Plath, Wolfgang (eds.): Akademie der Wissenschaften und der Literatur, Mainz. Opera incerta: Echtheitsfragen als Problem musikwissenschaftlicher Gesamtausgaben (= Abhandlungen der geistes- und sozialwissenschaftlichen Klasse, 11). Steiner, Stuttgart 1991.
Keywords: authenticity; editing; edition; music; authorship; analysis; text; criticism; source studies; literature

Bente, Martin: 'Ermittlung und Vermittlung: Zum Begriff Urtext', in: Österreichische Musikzeitschrift, 46/10 (1991): 528-31.
Keywords: editing; music; urtext; source studies; work-concept; authenticity; authorship; criticism; philology; performance practice; notation
Abstract

Berke, Dieter: 'Urtext zwischen Wissenschaftsanspruch und Praxisnähe: Die modernen Musiker-Gesamtausgaben', in: Österreichische Musikzeitschrift, 46/10 (1991): 531-35.
Keywords: urtext; edition; editing; music; practice; criticism; theory; publication
Abstract

Cook, Nicholas John: 'The editor and the virtuoso, or, Schenker versus Bülow', in: Journal of the Royal Musical Association, 116/1 (1991): 78-95.
Keywords: history; aesthestics; editing; music; theorists; society; work-concept; authenticity; performance; intention
Abstract

Dürr, Walther: 'Sieben Thesen zu Edition von Musik und musikalischer Praxis', in: Österreichische Musikzeitschrift, 46/10 (1991): 522-24.
Keywords: music; practice; editing; edition; methodology; performance; text; criticism
Abstract

Gülke, Peter: 'Philologie und musikalische Praxis', in: Österreichische Musikzeitschrift, 46/10 (1991): 535-539.
Keywords: philology; music; Renaissance; medieval; middle ages; performance practice; edition; editing; authorship; methodology; criticism; authenticity; performance; interpretation; notation
Abstract

Göllner, Marie Louise: 'Composition' in the late Middle Ages and its reflection in modern editorial methods, in: Makoto Ohmiya et al. (eds.): Tradition and its future in music. Mita, Osaka 1991: 87-94.
Keywords: authenticity; music; edition; editing; criticism; variants; version; medieval; source studies
Abstract

Wallnig, Josef: ''Produkt im Kopf' contra 'Produkt im Ohr'', in: Österreichische Musikzeitschrift, 46/10 (1991): 539-42.
Keywords: edition; interpretation; editing; performance; performance practice; methodology; annotation; revision; music
Abstract

Fallows, David: 'Embellishments and urtext in the fifteenth-century song repertory', in: Basler Jahrbuch für historische Musikpraxis, 14 (1990): 59-85.
Keywords: editing; criticism; Renaissance; methodology; work-concept; analysis; urtext; source studies; music; vocal music; song

Feder, Georg: Das Autograph als Quelle wissenschaftlicher Edition, in: Ernst Hilmar (ed.): Internationales Symposium Musikerautographe (= Publikationen des Instituts für österreichische Musikdokumentation, 16). Schneider, Tutzing 1990: 115-14.
Keywords: music; philology; editing; editorial theory; methodology; authenticity; manuscript; source studies; print; printing; practice; facsimile; genesis; criticism
Abstract

Herttrich, Ernst: Autograph--Edition--Interpretation, in: Ernst Hilmar (ed.): Internationales Symposium Musikerautographe (= Publikationen des Instituts für österreichische Musikdokumentation, 16). Schneider, Tutzing 1990: 165-184.
Keywords: manuscripts; sources; source studies; documents; editing; interpretation; music; edition; philology; performance

Schade, Ernst: 'Volkslied-Editionen zwischen Transkription, Manipulation, Rekonstruktion und Dokumentation', in: Jahrbuch für Volksliedforschung, 35 (1990): 44-63, 108-09.
Keywords: transcription; transmission; music; text; criticism; editing; edition; philology; history; song; methodology; editorial theory; intention; authenticity
Abstract

Trovato, Paolo: 'Note sulla fissazione dei testi poetici nelle edizioni critiche dei melodrammi', in: Rivista italiana di musicologia, 25/2 (1990): 333-52.
Keywords: genre; opera; music; text; criticism; philology; editing; editorial theory; drama; literature; romanticism; Italy; edition; version; intention; authenticity; source studies
Abstract

Brett, Philip: Text, context, and the early music editor, in: Nicholas Kenyon (ed.): Authenticity and early music. Oxford 1988: 83-114.
Keywords: editing; philology; music; methodology; Renaissance; baroque; analysis; work-concept
Abstract

Brinkmann, Reinhold: Was uns die Quellen erzählen: Ein Kapitel Werk-Philologie, in: Hermann Danuser et al. (eds.): Das musikalische Kunstwerk: Geschichte--Ästhetik--Theorie. Festschrift Carl Dahlhaus zum 60. Geburtstag. Laaber-Verlag, Laaber 1988: 679-693.
Keywords: philology; interpretation; music; methodology; editing; performance; practice; source studies; modern; Germany; work-concept
Abstract

Kosciukiewicz, Kazimierz: Pomiedzy kompozytorem a wykonawca: Z problematiki wydawniczej muzyki wspol-czesnej. Próbe spojrzenie ksiegoznawczego, in: Eugeniusz Sasiadek (ed.): Problemy wykonawcze muzyki wspólczesnej. Wroclaw 1988: 93-110.
Keywords: editing; music; performance; practice; edition; notation; interpretation; bibliography

Querbach, Michael: 'Der konstruirte Ursprung / Zur Problematik musikalischer Urtext-Ausgaben', in: Neue Zeitschrift für Musik, 149 (1988): 15-21.
Keywords: source studies; transcription; philology; authenticity; music; criticism; intention; authorship; interpretation; edition; urtext
Abstract

Tischler, Hans: On editing medieval songs, in: Musica antiqua. VIII/1: Acta musicologica. Filharmonia Pomorska im. Ignacego Paderewskiego, Bydgoszcz 1988: 1005-28.
Keywords: performance; performance practice; notation; editing; edition; song; vocal music; medieval; Middle Ages; interpretation; criticism; editorial theory; methodology; music

Feder, Georg: Musikphilologie: Eine Einführing in die musikalische Textkritik, Hermeneutik und Editionstechnik (= Die Musikwissenschaft). Wissenschaftliche Buchgesellschaft, Darmstadt 1987.
Keywords: editing; philology; criticism; methodology; source studies; intention; work-concept; authorship; authenticity; music
Abstract

Thom, Eitelfriedrich and Siegmund-Schultze, Walther (eds.): Generalbassspiel im 17. und 18. Jahrhundert: Editionsfragen aus der Sicht vorliegender Ausgaben zum Jubiläumsjahr 1985. Kultur- und Forschungsstätte Michaelstein Blankenburg, Harz 1987.
Keywords: edition; editing; basso continuo; interpretation; source studies; baroque; history; notation

Bent, Margaret: 'Fact and value in contemporary scholarship', in: Musical Times, Great Britain, 127 (1986): 85a-89c.
Keywords: editing; work-concept
Abstract

Konold, Wulf: 'Methodenprobleme der opernforschung', in: Jahrbuch für Opernforschung, 2 (1986): 7-26.
Keywords: genre; opera; philology; editing; performance; performance practice; text; music
Abstract

Arlt, Wulf: Zu einigen Fragen der Funktion, Interpretation und Edition der Introitustropen, in: Gabriel Silagi (ed.): Liturgische Tropen (= Münchner Beiträge zur Mediävalistik und Renaissance-Forschung, 36). Arbeo, Munich 1985: 131-50.
Keywords: performance practice; editing; medieval; Middle Ages; music; notation; interpretation; source studies; philology; methodology

Caldwell, John: Editing early music (= Early music series, 3). Clarendon Press, Oxford 1985.
Keywords: editing; music; transcription; Renaissance; baroque; classical; medieval; philology; notation; practice; musica ficta; accidentals; bibliography; edition; publishers; source studies; documents; methodology; rhythm
Abstract

Blezzard, Judith: 'Reconstructing early English vocal music: history, principle and practice', in: Music review, 45/2 (1984): 85-95.
Keywords: editing; historiography; vocal music; Renaissance; music; history
Abstract

Feder, Georg: 'Textkritische Methoden. Versuch eines Uberblicks mit Bezug auf die Haydn-Gesamtausgabe. Barry S. Brook zum 65. Geburts-tag gewidmet', in: Haydn-Studien, 5/2 (1983): 77-109.
Keywords: methodology; editing; criticism; music; source studies; sources; documents; text; editorial theory; authenticity; authorship; version; urtext
Abstract

Pasquale, Marco di (ed): Musica e filologia. Edizioni della società letteraria, Verona 1983.
Keywords: philology; text; criticism; editing; source studies; methodology; manuscripts; music; intention; work-concept

Staehelin, M.: Bemerkungen zum Verhältnis von Werkcharacter und Filiation in der Musik der Renaissance, in: Ludwig Finscher (ed.): Quellenstudien zur Musik der Renaissance II: Datierung und Filiation von Musikhandschriften dser Josquin-Zeit (= Wolfenbütteler Forschungen, 26). Wiesbaden 1983: 199-215.
Keywords: work-concept; philology; music; source studies; methodology; Renaissance; filiation; hierarchy; manuscript
Abstract

Burmeister, Klaus: Editionsfragen der Frühklassik. Verlagserfahrungen aus der Arbeit an kritisch-praktischen Ausgaben. , in: Die Wechselwirkung von Instrumentenbau und Kompositionsweise sowie Editionsfragen der Frühklassik: Konferenzbericht der 8. Wissenschaftliche Arbeitstagung Blankenburg/Harz, 1980 (= Blankenburger Studien, 14). n.n., n.p. 1982.
Keywords: music; editing; basso continuo; ornamentation; practice; performance practice; interpretation; text; criticism; urtext; edition; baroque; classical; authenticity
Abstract

Noblitt, Thomas L.: 'Chromatic cross-relations and editorial musica ficta', in: Tijdschrift van de vereniging voor Nederlandse muziekgeschiedenis, 32 (1982): 30-44.
Keywords: chromaticism; music theory; editing; philology; source studies; criticism; musica ficta; accidentals; harmony; counterpoint; consonances; dissonances
Abstract

Pogue, Samuel F.: 'A sixteenth-century editor at work: Gardane and Moderne', in: Journal of musicology, 1/2 (1982): 217-38.
Keywords: printing; publication; renaissance; printers; edition; editing; history; bibliography; music; vocal music; genre; motet; text; source studies; sources; version; variants
Abstract

Albrecht, Christoph: 'Zur Akzidentienfrage im 16. Jahrhundert', in: Musik und Kirche, 50/3 (1980): 125-30.
Keywords: notation; edition; editing; music; performance practice; Renaissance; history; analysis; music theory; vocal music; polyphony
Abstract

Bente, Martin (ed): Musik, Edition, Interpretation: Gedenkschrift Gunter Henle. Henle, Munich 1980.
Keywords: editing; editorial theory; methodology; philology; music; criticism; source studies; sources; documents; manuscript; performance; performance practice; notation; interpretation; history; biography; urtext; intention; authorship; authenticity; version; correspondence; variants; compositional process; creative process; art; society; culture

Fellerer, Karl-Gustav: Werk-Edition-Interpretation, in: Martin Bente (ed.): Gedenkschrift Günter Henle. Munich 1980: 180-192.
Keywords: philology; interpretation; work-concept; criticism; methodology; performance; paleography; music; editing
Abstract

Finscher, Ludwig: Gesamtausgabe--Urtext--musikalische Praxis: Zum Verhältnis von Musikwissenschaft und Musikleben, in: Martin Bente (ed.): Musik, Edition, Interpretation: Gedenkschrift Gunter Henle. Henle, Munich 1980: 193-198.
Keywords: history; edition; criticism; editing; music; urtext
Abstract

Longyear, Rey M.: Editions or facsimiles?, in: Martin Bente (ed.): Musik, Edition, Interpretation: Gedenkschrift Gunter Henle. Henle, Munich 1980: 332-337 .
Keywords: edition; performance; scholarly; facsimile; music; urtext; sources
Abstract

Meister, Hubert: Die Praxis der 'gelenkten Improvisation' und der 'Urtext': Ein editorisches Problem? , in: Martin Bente (ed.): Musik, Edition, Interpretation: Gedenkschrift Gunter Henle . Henle, Munich 1980: 332-337.
Keywords: editing; urtext; facsimile; edition; history; music; interpretation; performance; performance practice
Abstract

Niemöller, Klaus Wolfgang: Aufführungspraxis und Edition von Haydns Cellokonzert D-dur, in: Martin Bente (ed.): Musik, Edition, Interpretation: Gedenkschrift Gunter Henle. Henle, Munich 1980: 394-409.
Keywords: editing; edition; performance; performance practice; urtext; source studies; interpretation; notation; history
Abstract

Budde, Elmar: Bemerkungen zur Problematik praktischer Ausgaben, in: Otto Brusatti (ed.): Schubert-Kongress Wien 1978. Bericht. Akademische Druck- und Verlagsanstalt Graz, Graz 1979: 183-85.
Keywords: edition; practice; music; editing; interpretation; transcription; notation
Abstract

Mahling, Christoph-Hellmut: Bemerkungen zum 'editorischen Konzept' der Neuen Schubert-Ausgabe, in: Otto Brusatti (ed.): Schubert-Kongress Wien 1978. Bericht. Akademische Druck- und Verlagsanstalt Graz, Graz 1979: 187-89.
Keywords: performance; performance practice; notation; editing; edition; criticism; work-concept; methodology; editorial theory; music; history; authenticity; interpretation
Abstract

Blezzard, Judith: 'Editing early English: some further evidence', in: Musical times, 119 (1978): 265-68.
Keywords: music; Renaissance; interpretation; accidentals; sacred music; manuscript; source studies; editing; practice; theory
Abstract

Dahlhaus, Carl: 'Zur Ideengeschichte musikalischer Editionsprinzipien', in: Fontes artis musicae, 25 (1978): 19-27.
Keywords: performance; practice; notation; editing; history; music; editorial theory; edition

Dahlhaus, Carl: Philologie und Rezeptionsgeschichte. Bemerkungen zur Theorie der Edition, in: Thomas Kohlhase et al. (eds.): Festschrift Georg von Dadelsen zum 60. Geburtstag. Hänssler Verlag, Neuhausen-Stuttgart 1978: 45-58.
Keywords: reception; philology; editing; disputes; historiography; authenticity; authorship; intention; revision; music; criticism
Abstract

Larsen, Jens-Peter: Musikedition und Aufführungspraxis, in: Vom Notenbild zur Interpretation: Konferenzbericht der 5. Wissenschaftliche Arbeitstagung Blankenburg/Harz, 1. bis 3. Juli 1977 (= Studien zur Aufführungspraxis und Interpretation von Instrumentalmusik der 18. Jahrhunderts, 6/2). Rat des Bezirkes Magdeburg, Magdeburg 1978: 5-11.
Keywords: editing; notation; performance practice; music; baroque
Abstract

Mahling, Christoph-Hellmut: Urtextausgabe - Kritische Ausgabe. Voraussetzung für 'richtige' Interpretation? , in: Vom Notenbild zur Interpretation: Konferenzbericht der 5. Wissenschaftliche Arbeitstagung Blankenburg/Harz, 1. bis 3. Juli 1977. Rat des Bezirkes Magdeburg, Magdeburg 1978: 26-30.
Keywords: interpretation; edition; performance; urtext; criticism; music; editing
Abstract

Broude, Ronald: 'Arrangement, transcription, edition: some problems in terminology', in: Choral journal, 18/1 (1977): 25-29.
Keywords: editing; music; transcription; edition; arrangement; performance; criticism; interpretation; version; sources
Abstract

Dadelsen, Georg von: Uber den Wert musikalischer Textkritik, in: Quellenstudien zur Musik. Wolfgang Schmieder zum 70. Geburtstag. C.F. Peters, Frankfurt am Main 1975: 41-45.
Keywords: criticism; music; editing
Abstract

Borroff, Edith (ed): Notations and editions: a book in honor of Louise Cuyler. Brown (IA), Dubuque, IA, USA 1974.
Keywords: notation; editing; edition; manuscript; source studies; sources; print; publication; music; history; criticism; facsimile; urtext; editorial theory
Abstract

Hilzinger, Klaus Harro: 'Über kritische Edition literarischer und musikalischer Texte', in: Euphorion, 68 (1974): 198-210.
Keywords: music; criticism; edition; editing; literature; text
Abstract

Hilzinger, Klaus Harro: 'Über kritische Edition literarischer und musikalischer Texte', in: Euphorion, 68/2 (1974): 198-210.
Keywords: editing; edition; music; interpretation; work-concept; editorial theory; medieval; text; criticism; transcription; performance
Abstract

Spechtler, Franz Viktor: 'Zur Methode der Edition mittelalterlicher Texte', in: Studia musicologica Academiae Scientiarum Hungaricae, 15/1-4 (1973): 225-43.
Keywords: editing; source studies; middle ages; medieval; manuscript; text; criticism; philology; methodology; annotation; variants; music
Abstract

Bent, Margaret: 'Musica recta and musica ficta', in: Musica disciplina, 26 (1972): 73-100.
Keywords: modes; chromaticism; transposition; musica ficta; practice; theory; Renaissance; music; editing

Chylinska, Teresa: 'Metodologiczne zalozenia wydan zródlowych dziol Szymanowskiego, Wieniawskiego i Moniuszki', in: Muzyka, 15/4 (1971): 114-17.
Keywords: editing; music; methodology; editorial theory; source studies; manuscript; authenticity; editing; notation; intention
Abstract

Schlötterer, Reinhold: Edition byzantinischer Musik, in: Thrasybulos G. Georgiades (ed.): Musikalische Edition im Wandel des historischen Bewusstseins (= Musikwissenschaftliche Arbeiten, 23). Bärenreiter, Kassel 1971: 28-49 .
Keywords: history; music; notation; edition; editing; philology; manuscript; vocal music
Abstract

Blaukopf, Kurt: Werktreue und Bearbeitung. Zur Sociologie der Integrität des musikalischen Kunstwerks (= Schriftenreihe Musik und Gesellschaft, 3). Braun, Karlsruhe 1968.
Keywords: editing; source studies; urtext; work-concept; editorial theory; methodology; music; version; performance; performance practice; sources
Abstract

Carapetyan, Armen: 'Problems of editing and publishing old music', in: Musica disciplina, 15 (1961): 5-14.
Keywords: editing; music; Renaissance; medieval; edition; methodology

Dadelsen, Georg von: 'Die 'Fassung letzter Hand' in der Musik', in: Acta Musicologica, 33 (1961): 1-14.
Keywords: intention; criticism; methodology; work-concept; editing; philology; literature; music; source studies

Unverricht, Hubert (ed): Die Eigenschriften und die Originalausgaben von Werken Beethovens in ihrer Bedeutung für die moderne Textkritik. Kassel 1960.
Keywords: music; text; criticism; philology; source studies; edition; manuscripts

Feder, Georg and Unverricht, Hubert: 'Urtext und Urtextausgaben', in: Die Musikforschung, 12/4 (1959): 432-53.
Keywords: notation; performance practice; urtext; editorial theory; editing; source studies; sources; documents; interpretation; music

Chailley, Jacques: Pour une philologie du langage musical, in: Société Internationale de Musicologie, cinquième congrès/Internationale Gesellschaft für Musikwissenschaft, fünfter Kongreß/International Society for Musical Research, Fifth Congress. Vereniging voor Nederlandse Muziekgeschiedenis Amsterdam, Utrecht 1953: 96-106.
Keywords: philology; music; language; methodology

C. Specific Musical Works and Composers

Troelsgård, Christian: Byzantine neumes: a new introduction to the Middle Byzantine musical notation. Museum Tusculanum, Copenhagen 2012.
Keywords: paleography; notation; Medieval; manuscript; philology; source studies; transcription; music

Bacciagaluppi, Claudio: Su alcuni copisti di Pergolesi: Un contributo alla filologia e alla diffusione delle opere sacre, in: G.B. Pergolesi: La critica dei testi, i testi della critica (= Studi pergolesiani, 6).  2011: 23-29.
Keywords: Baroque; manuscript; source studies; philology; vocal music
Abstract

Hauge, Peter: '[review of:] John Birchensha: Writings on Music. Ed. by Christopher D. S. Field and Benjamin Wardhaugh', in: Music and Letters, 92/4 (2011): 647-49.
Keywords: philology; music; literature; music theory; editing; renaissance; England

Veit, Joachim: 'I concerti per clarinetto e orchestra di Carl Maria von Weber: Testimoni, edizione ed esecuzione. Il Parte: L'edizione digitale delle opere per clarinetto di Weber: Un nuovo approccio alla critica testuale comparativa e analisi', in: Philomusica on-line: Rivista del Dipartimento di Scienze Musicologiche e Paleografico-Filologiche, 9/2 (2010): 179-299.
Keywords: editing; edition; computer; philology; source studies; manuscript; publication; performance practice
Abstract

Donin, Nicolas: Genetic criticism and cognitive anthropology: a reconstruction of Philippe Leroux's compositional process for voi(rex), in: Joseph E. Jones et al. (eds.): Genetic criticism and the creative process: essays from music, literature, and theater . University of Rochester, Rochester, N.Y. 2009: 000-000.
Keywords: criticism; geneticism; version; variants; music; vocal music; performance; compositional process; creative process; editing; transcription; transmission; philology; source studies; sources; methodology; editorial theory

Gosman, Alan: From melodic patterns to themes: the sketches for the original version of Beethoven's "Waldstein" Sonata, Op. 53, in: Joseph E. Jones et al. (eds.): Genetic criticism and the creative process: essays from music, literature, and theater. University of Rochester, Rochester, N.Y. 2009: 000-000.
Keywords: melodic framework; compositional process; manuscripts; source studies; sources; romanticism; music; keyboard; instrumental; version; variants; geneticism; intention; editing; edition; criticism; philology; paleography; filiation; work-concept; editorial theory; methodology; performance

Hauge, Peter: '[review of:] A Brief and Short Instruction of the Art of Musicke by Elway Bevin. Ed. by Denis Collins', in: Music and Letters, 90/1 (2009): 160-62.
Keywords: philology; music; text; editing; renaissance; England

Jones, Joseph E.: A study of Richard Strauss's creative process: der Rosenkavalier's "Presentation Scene" and "Schluduett", in: Joseph E. Jones et al. (eds.): Genetic criticism and the creative process: essays from music, literature, and theater . University of Rochester, Rochester, N.Y. 2009: 000-000.
Keywords: creative process; compositional process; music; editing; source studies; manuscripts; edition; sources; geneticism; variants; version; performance; philology; editorial theory; methodology

Lockwood, Lewis: From conceptual image to realization: some thoughts on Beethoven's sketches, in: Joseph E. Jones et al. (eds.): Genetic criticism and the creative process: essays from music, literature, and theater . University of Rochster, Rochester, N.Y. 2009: 000-000.
Keywords: performance; performance practice; notation; interpretation; Work-concept; source studies; sources; manuscripts; editing; edition; variants; version; geneticism; methodology; transcription; transmission; editorial theory; philology; music; romanticism

McCallum, Peter: The process within the product: exploratory transitional passages in Beethoven's late quartet sketches, in: Joseph E. Jones et al. (eds.): Genetic criticism and the creative process: essays from music, literature, and theater . University of Rochester, Rochester, N.Y. 2009: 000-000.
Keywords: manuscripts; source studies; interpretation; transmission; geneticism; variants; version; performance; music; romanticism; instrumental; editing; methodology; editorial theory; philology; paleography

Zychowicz, James L.: "They only give rise to misunderstandings": Mahler's sketches in context, in: Joseph E. Jones et al. (eds.): Genetic criticism and the creative process: essays from music, literature, and theater . University of Rochester, Rochester, N.Y. 2009: 000-000.
Keywords: post-romanticism; romanticism; music; editing; source studies; manuscripts; paleography; variants; version; geneticism; transmission; transcription; methodology; philology; interpretation; editorial theory

Foltmann, Niels Bo and Jensen, Lisbeth Ahlgren: Det Kongelige Bibliotek som udgiver af den musikalske kulturarv – belyst ved udgivelsen af Carl Nielsens musik, in: John T.  Lauridsen et al. (eds.): Umisteligt. Festskrift til Erland Kolding Nielsen. Det Kongelige Bibliotek, Copenhagen 2007: 571-588.
Keywords: editing; Denmark; music; sources; source studies; methodology; performance
Abstract

Benestad, Finn and Andersen, Rune: A case study: Peer Gynt, op. 23, in: Niels Krabbe (ed.): Nordic music editions. Det Kongelie Bibliotek, Copenhagen 2006: 51-57.
Keywords: editing; criticism; music; edition; drama; history; documents; sources
Abstract

Grier, James: Authority of the composer, authority of the editor, in: Niels Krabbe (ed.): Nordic music editions. Det Kongelige Bibliotek, Copenhagen 2006: 17-29.
Keywords: authorship; authenticity; editing; music; intention; source studies; performance; criticism
Abstract

Grinde, Nils: Grieg and Kjerulf editions, in: Niels Krabbe (ed.): Nordic music editions. Det Kongelige Bibliotek, Copenhagen 2006: 81-85.
Keywords: editing; edition; history; music; criticism
Abstract

Hansen, Finn Egeland: The Niels W. Gade Edition, in: Niels Krabbe (ed.): Nordic music editions. Det Kongelige Bibliotek, Copenhagen 2006: 76-80.
Keywords: editing; history; edition; music
Abstract

Hauge, Peter: Masking the sleeping pillow: Nielsen's opera Maskarade, in: Niels Krabbe (ed.): Nordic music editions. Det Kongelige Bibliotek, Copenhagen 2006: 45-50.
Keywords: editing; music; theatre; drama; genre; opera; symphony; instrumental; vocal music; intention; authenticity; authorship; version; performance; performance practice; edition; methodology; history; editorial theory; manuscripts; source studies; philology; work-concept
Abstract

Nielsen, Bendt Viinholt: The Rued Langgaard Edition, in: Niels Krabbe (ed.): Nordic music editions. Det Kongelige Bibliotek, Copenhagen 2006: 86-88.
Keywords: editing; edition; criticism; music
Abstract

Pärtlas, Margus: Eduard Tubin edition, in: Niels Krabbe (ed.): Nordic music editions. Det Kongelige Bibliotek, Copenhagen 2006: 101-10.
Keywords: editing; edition; music
Abstract

Rörby, Margareta: Berwald Gesamtausgabe, in: Niels Krabbe (ed.): Nordic music editions. Det Kongelige Bibliotek, Copenhagen 2006: 64-75.
Keywords: editing; history; edition; music
Abstract

Virtanen, Timo: Jean Sibelius edition, in: Niels Krabbe (ed.): Nordic music editions. Det Kongelige Bibliotek, Copenhagen 2006: 96-100.
Keywords: editing; edition; music; criticism
Abstract

Wicklund, Tuija: Jean Sibelius's Skogsrået and Vårsång, in: Niels Krabbe (ed.): Nordic music editions. Det Kongelige Bibliotek, Copenhagen 2006: 37-44.
Keywords: editing; criticism; publication; music; version; variants; source studies; manuscript
Abstract

Litschauer, Walburga: 'Zur Edition von Schuberts Klaviersonaten', in: Schubert: Perspektiven, 4/1 (2004): 49-85.
Keywords: editing; Germany; music; instrumental; romanticism; methodology; criticism; source studies; philology

Lomnäs, Erling: Franz Berwalds Estrella de Soria, verkhistorikk, källor, edition av libretto och överblivna nottexter. Ph.D., University of Stockholm, Stockholm 2004.
Keywords: source studies; manuscript; philology; edition; music; history; work-concept; methodology; criticism

Hauge, Peter: 'Carl Nielsen and intentionality: concerning the editing of Nielsen's works', in: Carl Nielsen Studies, 1 (2003): 42-81.
Keywords: manuscripts; source studies; sources; paleography; performance practice; intention; variants; version; geneticism; authorship; authenticity; methodology; editorial theory; philology; work-concept; editing; music; Denmark; edition; publication; history
Abstract

Heidlberger, Frank: 'Von der Quelle zur historisch-kritischen Edition: Carl Maria von Webers Werke für Klarinette und Orchester--Im Dickicht der Quellen: Das Concertino', in: Rohrblatt: Magazin für Oboe, Klarinette, Fagott und Saxophon, 18/4 (2003): 202-207.
Keywords: sources; source studies; documents; music; instrumental; Germany; romanticism; editing

Heidlberger, Frank: 'Man muß den Notentext als Text begreifen: Von der Quelle zur historisch-kritischen Edition Carl Maria von Webers Werke für Klarinette und Orchester', in: Rörblatt: Magazin für Oboe, Klarinette, Fagot und Saxophon, 18/2 (2003): 50-55.
Keywords: music; editing; text; criticism; editorial theory; methodology; romanticism; Germany; philology; source studies; sources

Pascall, Robert and Struck, Michael: 'Kampf in der Werkstatt--Kampf um die Werkstatt: Spuren von Johannes Brahms' kompositorischer Arbeit in der 2. Symphonie und ihre editorische Darstellung', in: Die Musikforschung, 56/4 (2003): 382-90.
Keywords: editing; edition; music; instrumental; romanticism; post-romanticism; sources; source studies; criticism; hierarchy; filiation; transcription; transmission; variants; version; intention; Germany; philology
Abstract

Ahrend, Thomas, Wissmann, Frederike and Mattenklott, Gert: Die Hanns Eisler Gesamtausgabe, in: Helga Lühning (ed.): Musikedition: Mittler zwischen Wissenschaft und musíkalischer Praxis (= Beihefte zu Editio, 17). Max Niemayer Verlag, Tübingen 2002: 223-233.
Keywords: editing; notation; Germany; modern; music

Allroggen, Gerhard: Webers Klarinetten-Quintett: Edition und musikalische Praxis--Bericht über den Detmolder Meisterwerk-Kurs, in: Helga Lühning (ed.): Musikedition: Mittler zwischen Wissenschaft und musikalischer Praxis (= Beihefte zu Editio, 17). Max Niemayer Verlag, Tübingen 2002: 293-311.
Keywords: editing; instrumental; Germany; practice; performance practice; manuscripts; source studies; music

Dürr, Walther: Notation und Auffürungspraxis: Artikulation und Dynamik bei Schubert, in: Helga Lühning (ed.): Musikedition: Mittler zwischen Wissenschaft und musikalischer Praxis (= Beihefte zu Editio, 17). Max Niemayer Verlag, Tübingen 2002: 313-327.
Keywords: editing; source studies; sources; paleography; philology; romanticism; Germany; performance; performance practice; articulation; dynamics; interpretation; music; criticism; methodology; editorial theory; notation

Emans, Reinmar: Quellenmischung von Partitur und Stimmen in der Neuen Bach-Ausgabe: Ein legitimes Verfahren der Edition?, in: Helga Lühning (ed.): Musikedition: Mittler zwischen Wissenschaft und musikalischer Praxis (= Beihefte zu Editio, 17). Max Niemayer Verlag, Tübingen 2002: 97-106.
Keywords: editing; source studies; sources; documents; music; baroque; methodology; practice; performance practice; intention; variants; authenticity; philology

Heidlberger, Frank: Edition und musikalische Praxis: Carl Maria von Webers Werke für Klarinette und Orchester, in: Helga Lühning (ed.): Musikedition: Mittler zwischen Wissenschaft und musikalischer Praxis (= Beihefte zu Editio, 17). Max Niemayer Verlag, Tübingen 2002: 277-291.
Keywords: editing; edition; music; practice; performance practice; romanticism; Germany; instrumental; source studies

Heinemann, Ernst-Günter: Organisation und Perfektion im Klavierwerk Claude Debussys: Überlegungen zur Editionsproblematik, in: Paul Mai (ed.): Im Dienst der Quellen zur Musik: Festschrift Gertraut Haberkamp zum 65. Geburtstag. Bischöfliche Zentralbibliothek, Regensburg 2002: 135-139.
Keywords: edition; manuscripts; performance; reception; editing; music; France; instrumental; compositional process
Abstract

Litschauer, Walburga: Zu den drei Fassungen des zweiten Satzes von Schuberts Klaviersonate in Des/Es (D 568): Entstehungsgeschichte und Überlieferung, in: Helga Lühning (ed.): Musikedition: Mittler zwischen Wissenschaft und musikalischer Praxis. Max Niemayer Verlag, Tübingen 2002: 197-201.
Keywords: source studies; sources; instrumental; music; romanticism; Germany; version; variants; interpretation; editing; history; transmission

Reiser, Salome: Brahms' Notentext zwischen Werkgestalt und Aufführungspraxis, in: Helga Lühning (ed.): Musikedition: Mittler zwischen Wissenschaft und musikalischer Praxis (= Beihefte zu Editio, 17). Max Niemayer Verlag, Tübingen 2002: 329-346.
Keywords: edition; performance practice; Germany; romanticism; work-concept; editing; notation; interpretation; editorial theory; criticism; performance

Scheideler, Ullrich: Die Bedeutung von Particell und Klavierauszug für die Arnold Schönberg Gesamtausgabe: Am Beispiel des Monodrams Erwartung op. 17, in: Helga Lühning (ed.): Musikedition: Mittler zwischen Wissenschaft und musikalischer Praxis (= Beihefte zu Editio, 17). Max niemayer Verlag, Tübingen 2002: 165-186.
Keywords: edition; editing; source studies; sources; transcription; transmission; modern; music; version; variants; authenticity; work-concept; authorship; Germany

Scheideler, Ullrich, Kwasny, Ralf and Krämer, Ulrich: Entwurf--Revision--Bearbeitung: Zum Problem der Fassungen im Schaffen Arnold Schoenbergs, in: Helga Lühning (ed.): Musikedition: Mittler zwischen Wissenschaft und musikalischer Praxis (= beihefte zu Editio, 17). Max Niemayer Verlag, Tübingen 2002: 203-221.
Keywords: variants; version; work-concept; modern; Germany; transcription; notation; interpretation; music; source studies; sources; performance; editing; criticism; geneticism; philology

Sichardt, Martina, Busch, Regina and Ertelt, Thomas: Der Editor als Vollender? Reihenabweichungen in Arnold Schönbergs Zwölftonkompositionen als editorisches Problem--Mit Statements zur Modifizierung der Problematik bei Anton Webern (Regina Busch) und Alban Berg (Thomas Ertelt), in: Helga Lühning (ed.): Musikedition: Mittler zwischen Wissenschaft und musikalischer Praxis (= Beihefte zu Editio, 17). Max Niemayer Verlag, Tübingen 2002: 63-82.
Keywords: edition; editing; criticism; music; music theory; modern; Germany; source studies; version; variants; intention; compositional process

Struck, Michael: Werk-Übersetzung als Werk-Alternative? Johannes Brahms' Klavierbearbeitungen eigener Werke, in: Bodo Plachta et al. (eds.): Edition und Übersetzung: Zur wissenschaftlichen Dokumentation des interkulturellen Texttransfers (= Beihefte zu Editio, 18). Max Niemayer Verlag, Tübingen 2002: 447-464.
Keywords: transcription; editing; edition; work-concept; authorship; source studies; version; translation; romanticism; post-romanticism; Germany
Abstract

Veit, Joachim and Ziegler, Frank: Webers Klavierauszüge als Quellen für die Partituredition von Bühnenwerken? Mit einem Exkurs zur Geschichte des Klavierauszugs, in: Helga Lühning (ed.): Musikedition: Mittler zwischen Wissenschaft und musikalischer Praxis (= Beihefte zu Editio, 17). Max Niemayer Verlag, Tübingen 2002: 119-163.
Keywords: edition; opera; editing; transcription; source studies; instrumental; Germany; drama; theatre; history; work-concept; authenticity; music; genre; methodology; editorial theory; criticism; keyboard; piano reduction

Struck, Michael: Kann man Brahms gut edieren? Korrekturspuren, Mikrovarianten und Aufführungstraditionen als editorische Hürden und Hilfen, in: Ingrid Fuchs (ed.): Internationaler Brahms-Kongress Gmunden 1997: Kongreßbericht (= Veröffentlichungen des Archivs der Gesellschaft der Musikfreunde in Wien, 1). Hans Schneider, Tutzing 2001: 629-646.
Keywords: authenticity; variants; version; editing; manuscripts; performance practice; source studies; sources; edition; philology; transcription; authorship; intention; society; geneticism; music; Germany; romanticism; post-romanticism; instrumental
Abstract

Williamson, John: The musical artwork and its materials in the music and aesthetics of Busoni, in: Michael Talbot (ed.): The musical work: reality or invention. Liverpool University Press, Liverpool 2000: 187-204.
Keywords: authenticity; version; arrangement; music; aesthestics; work-concept; transcription; history; philosophy
Abstract

Hauge, Peter: 'Pigen med den skæve ryg: Carl Nielsens forkortelser af operaen Maskarade', in: Fund og Forskning i Det Kongelige Biblioteks Samlinger, 38 (1999): 291-312.
Keywords: Denmark; editing; opera; genre; drama; source studies; sources; documents; paleography; manuscripts; performance; performance practice; intention; variants; version; music; theatre
Abstract

Skipworth, George Franklin: Gustav Mahler's Fifth Symphony: compositional process, evolution of editions and conductor study. D.M.A., University of California, Los Angeles 1999. http://proquest.umi.com/pqdweb?did=730340121&Fmt=2&clientId=16141&RQT=309&VName=PQD
Keywords: editing; romanticism; post-romanticism; instrumental; symphony; performance; performance practice; source studies; sources; history; biography; music
Abstract

Smith, Jeremy L.: 'From 'rights to copy' to the 'bibliographic ego': a new look at the last edition of Byrd's 'Psalmes, Sonets & Songs'', in: Music and Letters, 80 (1999): 511-530.
Keywords: printing; printers; England; Renaissance; Elizabeth I; bibliography; source studies; philology; editing; James I; music history; William Byrd
Abstract

Allroggen, Gerhard: Vertonter Text und Komposition, in: Walther Dürr et al. (eds.): Der Text im musikalischen Werk: Editionsprobleme aus musikwissenschaftlicher und literaturwissenschaftlicher Sicht (= Beihefte zur Zeitschrift für deutsche Philologie). Eric Schmidt Verlag, Berlin 1998: 257-262.
Keywords: editorial theory; editing; practice; romanticism; Germany; music; work-concept; drama; literature; composition
Abstract

Bozarth, George Severs: 'Editing Brahms' music', in: Brahms studies, 2 (1998): 1-30.
Keywords: editing; source studies; editorial theory; Romanticism; print; publication; music; variants
Abstract

Breig, Werner: Überlegungen zur Edition von Richard Wagners musikdramatischen Texten, in: Walther Dürr et al. (eds.): Der Text im musikalischen Werk: Editionsprobleme aus musikwissenschaftlicher und literaturwissenschaftlicher Sicht (= Beihefte zur Zeitschrift für deutsche Philologie). Eric Schmidt Verlag, Berlin 1998: 284-311.
Keywords: compositional process; editing; work-concept; text; music; criticism; Germany; romanticism; opera; drama; literature; performance; source studies; sources; methodology
Abstract

Buschmeier, Gabriele: Zur Problematik der Edition von Operntexten im Rahmen musikalischer Ausgaben am Beispiel der Gluck-Gesamtausgabe: Glucks Opern--Text zwischen Original und Bearbeitung, in: Walther Dürr et al. (eds.): Der Text im musikalischen Werk: Editionsprobleme aus musikwissenschaftlicher und literaturwissenschaftlicher Sicht (= Beihefte zur Zeitschrift für deuitsche Philologie). Eric Schmidt Verlag, Berlin 1998: 157-168.
Keywords: music; edition; baroque; classical; Germany; notation; editing; text; literature; performance practice; drama; opera; version; philology
Abstract

Deathridge, John: Vollzugsbeamte oder Interpreten? Zur Kritik der Quellenforschung bei Byron und Wagner, in: Walther Dürr et al. (eds.): Der Text im musikalischen Werk: Editionsprobleme aus musikwissenschaftlicher und literaturwissenschaftlicher Sicht (= Beihefte zur Zeitschrift für deutsche Philologie). Eric Schmidt Verlag, Berlin 1998: 263-274.
Keywords: editing; romanticism; Germany; criticism; publishers; printers; text; music; literature; source studies; sources; work-concept; authorship; authenticity; version; intention; performance; history; reception
Abstract

Dümling, Albrecht: 'Im Stil der Lehrstücke': Zur Entstehung und Edition von Eislers Musik für Brechts Gorki-Bearbeitung Die Mutter, in: Walther Dürr et al. (eds.): Der Text im musikalischen Werk: Editionsprobleme aus musikwissenschaftlicher und literaturwissenschaftlicher Sicht (= Beihefte zur Zeitschrift für deutsche Philologie). Eric Schmidt Verlag, Berlin 1998: 361-381.
Keywords: literature; drama; poetry; version; authorship; source studies; editing; edition; criticism; music
Abstract

Dürr, Walther: Probleme der Textedition bei J.S. Bach, in: Walther Dürr et al. (eds.): Der Text im musikalischen Werk: Editionsprobleme aus musikwissenschaftlicher und literaturwissenschaftlicher Sicht (= Beihefte zur Zeitschrift für deutsche Philologie). Eric Schmidt Verlag, Berlin 1998: 98-112.
Keywords: notation; editing; edition; music; text; criticism; Germany; vocal music; poetry; literature; variants; romanticism
Abstract

Emans, Reinmar: Probleme der Textedition bei J.S. Bach, in: Walther Dürr et al. (eds.): Der Text im musikalischen Werk: Editionsprobleme aus musikwissenschaftlicher und literaturwissenschaftlicher Sicht (= Beihefte zur Zeitschrift für deutsche Philologie). Eric Schmidt Verlag, Berlin 1998: 87-97.
Keywords: text; criticism; music; philology; Germany; baroque; editing; edition; methodology; editorial theory; literature
Abstract

Hailey, Christopher: Zwischen Wort und Ton: Franz Schrekers Operntexte und die Zwischengattung des Textbuches, in: Walther Dürr et al. (eds.): Der Text im musikalischen Werk: Editionsprobleme aus musikwissenschaftlicher und literaturwissenschaftlicher Sicht (= Beihefte zur Zeitschrift für deutsche Philologie). Eric Schmidt Verlag, Berlin 1998: 312-327.
Keywords: music; drama; source studies; sources; text; literature; criticism; Germany; geneticism; transmission; compositional process
Abstract

Harsh, Edward D.: Excavating Mahagonny: editorial responses to conflicting visions, in: Walther Dürr et al. (eds.): Der Text im musikalischen Werk: Editionsprobleme aus musikwissenschaftlicher und literaturwissenschaftlicher Sicht (= Beihefte zur Zeitschrift für deutsche Philologie). Eric Schmidt Verlag, Berlin 1998: 346-360.
Keywords: editing; text; music; literature; modern; methodology; source studies; performance; performance practice; drama; theatre
Abstract

Hein, Jürgen and Zumbusch-Beisteiner, Dagmar: Probleme der Edition 'musikalischer Texte' im Wiener Dialekt, dargestellt am Beispiel Johann Nestroys, in: Walther Dürr et al. (eds.): Der Text im musikalischen Werk: Editionsprobleme aus musikwissenschaftlicher und literaturwissenschaftlicher Sicht (= Beihefte zur Zeitschrift für deutsche Philologie). Eric Schmidt Verlag, Berlin 1998: 212-232.
Keywords: biography; history; drama; music; literature; text; vocal music; opera; language; Germany; editing; criticism; work-concept; authorship
Abstract

Kohlhase, Thomas: Undine von Fouqué und Hoffmann: Bemerkungen zur Partitur und ihrer Edition, in: Walther Dürr et al. (eds.): Der Text im musikalischen Werk: Editionsprobleme aus musikwissenschaftlicher und literaturwissenschaftlicher Sicht (= Beihefte zur Zeitschrift für deutsche Philologie). Eric Schmidt Verlag, Berlin 1998: 247-256.
Keywords: editing; literature; drama; text; criticism; source studies; sources; documents; manuscripts; music
Abstract

Krabiel, Klaus-Dieter: Die Lehrstücke Brechts als editorisches Problem, in: Walther Dürr et al. (eds.): Der Text im musikalischen Werk: Editionsprobleme aus musikwissenschaftlicher und literaturwissenschaftlicher Sicht (= Beihefte zur Zeitschrift für deutsche Philologie). Eric Schmidt Verlag, Berlin 1998: 331-345.
Keywords: editing; literature; drama; text; music; criticism; methodology; source studies; performance practice; performance
Abstract

Sichardt, Martina: Anmerkungen zum Schicksal dichterischer Texte in den Vertonungen Arnold Schönbergs, in: Walther Dürr et al. (eds.): Der Text im musikalischen Werk: Editionsprobleme aus musikwissenschaftlicher und literaturwissenschaftlicher Sicht (= Beihefte zur Zeitschrift für deutsche Philologie). Eric Schmidt Verlag, Berlin 1998: 128-146.
Keywords: text; poetry; literature; music; criticism; edition; editing; philology; modern; Germany
Abstract

Veit, Joachim: Gehört die Genesis des Euryanthe-Textbuches zum 'Werk'?, in: Walther Dürr et al. (eds.): Der Text im musikalischen Werk: Editionsprobleme aus musikwissenschaftlicher und literaturwissenschaftlicher Sicht (= Beihefte zur Zeitscrift für deutsche Philologie). Eric Schmidt Verlag, Berlin 1998: 184-211.
Keywords: work-concept; geneticism; version; variants; source studies; sources; documents; text; literature; drama; opera; criticism; music; philology; editing; history; reception
Abstract

Breig, Werner: Composition as arrangement and adaptation, in: John Butt (ed.): The Cambridge companion to Bach. Cambridge University Press, Cambridge 1997: 154-170.
Keywords: editing; history; transcription; arrangement; work-concept; baroque; compositional process; version; music
Abstract

Brothers, Thomas: Chromatic beauty in the late medieval chanson: an interpretation of manuscript accidentals. Cambridge 1997.
Keywords: musica ficta; chromaticism; accidentals; theory; practice; music; editing; medieval
Abstract

Brown, Clive: Classical and romantic performance practice, 1750-1900. Clarendon Press, London 1997.
Keywords: performance; performance practice; romanticism; work-concept; music; musicians; education; criticism; philology; editing
Abstract

Hansen, Finn Egeland: 'Problemer og erfaringer i forbindelse med udgivelsen af Niels W. Gades værker', in: Dansk Årbog for Musikforskning, 25 (1997): 9-14.
Keywords: editing; music; sources; performance; edition; practice; criticism
Abstract

Hitchcock, H. Wiley: Editing Ives's 129 songs, in: J. Philip Lambert (ed.): Ives studies. Cambridge University Press, Cambridge 1997: 51-76.
Keywords: performance practice; song; text; music; editing; source studies; sources; manuscript; history; criticism; literature; methodology; editorial theory; notation; version; variants; authorship; intention
Abstract

Korstvedt, Benjamin Marcus: "Return to the pure sources": the ideology and text-critical legacy of the first Bruckner Gesamtausgabe, in: Paul Hawkshaw et al. (eds.): Bruckner studies. Cambridge University Press , New York 1997: 91-109 .
Keywords: editing; source studies; edition; methodology; history; music; Germany; publication; authenticity; version; manuscript
Abstract

Struck, Michael: Brahms-Philologie ohne die Briefe des Meisters? Eine Fallstudie, in: Gabriele Buschmeier et al. (eds.): Komponistenbriefe des 19. Jahrhunderts (= Akademie der Wissenschaften und der Literatur: Abhandlung der Geistes- und Sozialwissenschaftlichen Klasse, 1997:4). Steiner, Stuttgart 1997: 26-58.
Keywords: editing; music; documents; source studies; sources; correspondence; romanticism; Germany; interpretation; authenticity; methodology; text; criticism
Abstract

Aluas, Luminita Florea: The Quatuor principalia musicae: a critical edition and translation, with introduction and commentary. Ph.D., Indiana University 1996.
Keywords: text; criticism; edition; philology; music; theory; medieval; England; Renaissance; transcription; translation; editing; Latin; history; source studies; documents; biography
Abstract

Audus, Mark: 'Chybející pojítko: Rekonstrukce Její pastorkyne z r.1904.', in: Opus musicum, 28/5 (1996): 186-196.
Keywords: performance practice; editing; notation; variants; version; authorship; authenticity; work-concept; editing; methodology; editorial theory; source studies; music; intention
Abstract

Bernard, Philippe: 'Les chant propres de la Messe dans les répertoires grégorien et romain ancien: Essai d'édition pratique des variantes textuelles', in: Ephemerides liturgicae, 110 (1996): 210-51.
Keywords: sacred music; gregorian; editing; notation; interpretation; philology; text; criticism; practice; version; variants; manuscript; source studies; medieval; mass; music

Fairtile, Linda Beard: Giacomo Puccini's operatic revisions as manifestations of his compositional priorities. Ph.D., New York University, New York 1996.
Keywords: source studies; creative process; compositional process; revision; editing; edition; manuscript; performance; performance practice; opera; drama; text; criticism; editorial theory; methodology; melody; analysis; orchestration; version; variants; genesis; work-concept; music
Abstract

Harsh, Edward D.: 'With intent to stage: editing Kurt Weill's music for the theater ', in: Performance practice review, 9/2 (1996): 127-145.
Keywords: editing; opera; drama; theatre; performance; performance practice; source studies; interpretation; criticism; text; music; literature; edition; work-concept; methodology; editorial theory
Abstract

Wolff, Christoph: The many faces of authenticity: problems of a critical edition of Mozart's piano concertos, in: Neal  Zaslaw (ed.): Mozart's piano concertos: Text, context, interpretation. University of Michigan Press, Ann Arbor 1996: 19-28.
Keywords: editing; source studies; keyboard; classical; performance; performance practice; criticism; music; philology; methodology; intention; interpretation; notation
Abstract

Dolinszky, Miklós: Hitelesség és hagyományozás: Haydn- és Schubert-zongoraművek közreadói tapasztalatai, in: Ágnes Gupcsó (ed.): A Magyar Zenetudományi és Zenekritikai Társaság Els. Budapest 1995-96: 83-97.
Keywords: editing; methodology; editorial theory; music; theory; criticism; interpretation; sources
Abstract

Bernard, Philippe: Les variantes textuelles entre "vieux-romain" et "grégorien": Quelques résultats, in: Daniel Saulnier et al. (eds.): Requirentes modos musicos: Mélanges offerts à Dom Jean Claire à l'occasion de son 75e anniversaire, de ses 50 ans de profession monastique, et de ses 25 ans comme maître de choeur à Solesmes. Abbaye Saint-Pierre Solesmes, Sablésur-Sarthe 1995: 63-82.
Keywords: editing; music; philology; methodology; editorial theory; variants; version; manuscript; source studies; notation; mass; sacred music; medieval; chant; liturgy; history; Middle Ages; repertory; text; criticism; practice
Abstract

Burghauser, Jarmil: The principles of the Janácek critical edition, in: Michael Brim Beckerman et al. (eds.): Janá. Pendragon, Stuyvesant 1995: 217-220 .
Keywords: edition; authorship; authenticity; editing; urtext; intention; version; work-concept; music
Abstract

Bärenreiter, and Supraphon,: Editorial guidelines for the complete edition of Janáček's works, in: Michael Brim Beckerman et al. (eds.): Janá. Pendragon, Stuyvesant, NY 1995: 221-241 .
Keywords: editing; guidelines; music; edition
Abstract

Clark, Brian: Bearbeitung damals und heute: Probleme des Herausgebers von Fasch-Werken, in: Guido Bimberg et al. (eds.): Fasch und die Musik im Europa des 18. Jahrhunderts. Fasch-Zentrum und -Archiv Zerbst-Nord, Zerbst 1995: 225-236 .
Keywords: edition; editing; editorial theory; history; notation; interpretation; music; baroque

Grassi, Andrea Massimo: Varianti d'autore e varianti di trasmissione nel trio op. 114 di Johannes Brahms: Osservazioni sui testimoni manoscritti e a stampa, in: Maria Caraci Vela (ed.): La critica del testo musicale: Metodi e problemi della filologia musicale (= Studi e testi musicali: Nuova serie, 4). Libreria Editrice Musicale, Lucca 1995.
Keywords: editing; manuscripts; methodology; editorial theory; philology; source studies; sources; documents; variants; intention; music

Jarman, Douglas: ''Correcting' Berg: some observations on analysis and editorial responsibility', in: International journal of musicology, 4 (1995): 155-167.
Keywords: analysis; editing; source studies; music; methodology; compositional process; creative process; performance
Abstract

Karp, Theodore C.: Mirabantur omnes: a case study for critical editions, in: László Dobszay (ed.): Cantus Planus: papers read at the 6th meeting. Magyar Tudományos Akadémia (MTA), Budapest 1995: 493-516.
Keywords: medieval; chant; plainsong; vocal music; philology; editing; edition; music; text; version; transmission; variants; source studies; sacred music
Abstract

Kohlhase, Thomas: Editionsprobleme der Neuen Cajkovskij-Gesamtausgabe am Beispiel der 6. Sinfonie, in: Thomas Kohlhase (ed.): Internationales . Schott, Mainz 1995: 177-186.
Keywords: editing; music; source studies; sources; philology; editorial theory; methodology; genesis; geneticism; version; history
Abstract

Korstvedt, Benjamin Marcus: The first edition of Anton Bruckner's fourth symphony: authorship, production and reception. Ph.D., University of Pennsylvania 1995.
Keywords: performance practice; notation; work-concept; editing; print; reception; history; music; Germany; source studies; version; methodology; editorial theory; edition; intention; revision; variants
Abstract

Near, John R.: Problems of interpretation and edition in the organ works of Charles-Marie Widor, in: Hans Davidsson et al. (eds.): Proceedings of the Göteborg International Organ Academy 1994 (= Skrifter från Musikvetenskapliga Avdelningen, 39). Göteborgs Universitet, Gothenburg 1995: 453-468 .
Keywords: keyboard; performance practice; editing; interpretation; criticism; edition; source studies

Zychowicz, James L.: 'Toward an Ausgabe letzer hand: the publication and revision of Mahler's Fourth Symphony', in: The journal of musicology, 13/2 (1995): 260-76.
Keywords: editing; creative process; orchestration; source studies; manuscript; version; revision; criticism; music; methodology; notation; intention; authenticity
Abstract

Landgraf, Annette: 'Autograph--Abschrift--Ausgabe: Zu philologischen Aspekten des Flavio-Bandes der HHA', in: Händel-Jahrbuch, 40-41 (1994-95): 121-29.
Keywords: source studies; manuscript; philology; music; baroque; opera; drama; literature; text; performance; performance practice; editing; print; edition; methodology
Abstract

Nowik, Wojciech, Zimmermann, Ewald and Tomaszewski, Mieczys: 'The final text or final texts of Chopin? The problem of variants', in: Chopin studies, 4 (1994): 144-67.
Keywords: editing; music; manuscript; sources; edition; variants; keyboard; version; print; criticism

Andersen, Rune J.: Noen edisjonstekniske problemer i forbindelse med utgivelse av Edvard Griegs klaverkvintett-fragment, in: Nils Grinde et al. (eds.): Nordisk musikkforskerkongress (= Skriftserie fra Institutt for Musikk og Teater, 2). Universitetet i Oslo, Oslo 1993: 384-388.
Keywords: editing; edition; source studies; manuscripts

Badura-Skoda, Paul: Problematische Textstellen in Mozarts Klavierwerken und ihre fragwürdige übertragung in die Neue Mozart Ausgabe, in: Renate Herklotz et al. (eds.): Kongreßbericht zum VII. Internationalen Gewandhaus-Symposium: Wolfgang Amadeus Mozart--Forschung und Praxis im Dienst von Leben, Werk, Interpretation und Rezeption anläßlich der Gewandhaus-Festtage in Leipzig vom 3. bis 6. Oktober 1991. Peters, Leipzig 1993: 122-44.
Keywords: edition; editing; source studies; criticism; manuscript; music; print
Abstract

Goldhan, Wolfgang: 'Erfahrungen beim Vergleich der Quellen zu den Kompositionen für ein Blasinstrument mit Begleitung von Carl Maria von Weber: Eine Problemstudie', in: Weber-Studien, 1 (1993): 197-217.
Keywords: editing; notation; sources; source studies; manuscript; print; publication; performance; methodology; music; interpretation; intention; geneticism; version
Abstract

Marschner, Bo: 'Die letzte Fassung (1889) von Anton Bruckners 3. Sinfonie : Ein Problemfall in der kritischen Gesamtausgabe', in: Berliner Beiträge zur Musikwissenschaft: Beihefte zur Neuen Berlinischen Musikzeitung, 8/3:1 (1993): 22-32.
Keywords: edition; history; music; source studies; print; editing; version; variants; editorial theory
Abstract

Parker, Roger: A Donizetti critical edition in the postmodern world, in: Francesco Bellotto (ed.): L'opera teatrale di Gaetano Donizetti: Atti del convegno internazionale di studio. Comune di Bergamo, Bergamo 1993: 57-68.
Keywords: editing; publication; music; Italy; methodology; philology; edition; print
Abstract

Wanske, Helene: 'Georg Friedrich Händels Klaviersuiten in historischen und modernen Drucken: Ein Vergleich an ausgewählten Beispielen', in: Händel-Jahrbuch, 39 (1993): 195-224.
Keywords: performance practice; compositional process; work-concept; intention; notation; editing; edition; keyboard; music; source studies; paleography; print; publication; baroque; interpretation; criticism; philology
Abstract

Wiesend, Reinhard: 'Regieanweisung, Werk, Edition: Am Beispiel der Zauberflöte', in: Mozart Studien, 3 (1993): 115-36.
Keywords: drama; opera; classical; editing; stage; source studies; intention; interpretation; text; literature; music
Abstract

Appel, Bernhard R.: 'Zur Editionsgeschichte von Robert Schumanns Klaviersonate Opus 11 ', in: Studia musicologica Academiae Scientiarum Hungaricae, 34/3-4 (1992): 367-388.
Keywords: editing; publication; publishers; print; printers; version; variants; history; authenticity; authorship; keyboard; instrumental; music; source studies
Abstract

Benestad, Finn: Edvard Grieg og Peer Gynt-musikken: Noen problemområder ved utgivelsen av Peer Gynt-partituret, op. 23, i Edvard Griegs samlede verker, bind 18, in: Nils Grinde et al. (eds.): Nordisk musikkforskerkongress (= Skriftserie fra Institutt for Musikk og Teater, 2). Universitetet i Oslo, Oslo 1992: 379-383.
Keywords: editing; edition; music; methodology

Clercq, Robert O. de: 'Schuberts Erlkönig in einigen bemerkenswerten Ausgaben', in: Schubert durch die Brille: Internationales Franz Schubert Institut--Mitteilungen, 8 (1992): 39-44.
Keywords: editing; source studies; print; version; variants; edition; authenticity; work-concept; intention; music; Romanticism; criticism; methodology

Foltmann, Niels Bo: Kildeproblemer i forbindelse med Niels W. Gades værker: Kildematerialet til Niels W. Gades værker, dets beskaffenhed og editionstekniske problemer i forbindelse med en moderne kritisk udgave, in: Nils Grinde et al. (eds.): Nordisk musikkforskerkongress (= Skriftserie fra Institutt for Musikk og Teater, 2). Universitetet i Oslo, Oslo 1992: 370-374.
Keywords: editing; source studies; edition; publication; methodology

Hepokoski, James A.: 'Overriding the autograph score: the problem of textual authority in Verdi's Falstaff', in: Studi verdiani, 8 (1992): 13-51.
Keywords: editing; edition; publishers; publication; source studies; manuscript; theatre; drama; text; criticism; music; opera; performance; scenography; version; variants; work-concept; authenticity; intention; revision; methodology
Abstract

Somfai, László: Diplomatic transcription versus facsimile with commentaries: methodology of the Bartók edition, in: Wolfgang Gratzer et al. (eds.): De editione musices: Festschrift Gerhard Croll zum 65. Geburtstag. Laaber Verlag, Laaber 1992: 79-97.
Keywords: philology; music; source studies; manuscript; notation; editorial theory; methodology; editing; facsimile; transcription; version; intention; orchestration; publication; edition; practice
Abstract

Turner, Bruno: The editor: diplomat or dictator? , in: David Fallows et al. (eds.): Companion to medieval and Renaissance music. Schirmer, New York 1992: 249-254.
Keywords: editing; medieval; renaissance; music; methodology; notation; interpretation; authenticity; performance; performance practice; paleography; manuscript; transcription
Abstract

Banks, Paul: Mahler and the ethics of completing unfinished works of art, in: Paul Op de Coul et al. (eds.): Fragment or completion? Proceedings of the Mahler X Symposium. Nijgh & Van Ditmar, 's-Gravenhage 1991: 9-16 .
Keywords: work-concept; editing; criticism; philology; source studies; edition; music; authenticity; authorship; intention

Beckwith, John: 'Le Lucas et Cécile de Joseph Quesnel: Quelques problèmes de restauration', in: Cahiers de l'ARMuQ, 13 (1991): 10-28.
Keywords: editing; source studies; performance; music; baroque; drama; text; literature; criticism; editorial theory; methodology; theatre
Abstract

Brandenburg, Sieghard: 'Beethovens Skizzen: Probleme der Edition', in: Die Musikforschung, 44/4 (1991): 346-55.
Keywords: editing; manuscript; sources; source studies; methodology; music; facsimile; Romanticism; editorial theory
Abstract

Brook, Barry S.: The Pergolesi complete works edition and the general problems of using internal analysis for determining authenticity, in: Hanspeter Bennwitz et al. (eds.): Opera incerta: Echtheitsfragen als Problem musikwissenschaftlicher Gesamtausgaben. Steiner, Stuttgart 1991: 319-31.
Keywords: authenticity; authorship; intention; analysis; music; work-concept; Baroque; editing; source studies; sources; interpretation; notation; paleography; history
Abstract

Cook, Nicholas John: 'The editor and the virtuoso, or, Schenker versus Bülow', in: Journal of the Royal Musical Association, 116/1 (1991): 78-95.
Keywords: history; aesthestics; editing; music; theorists; society; work-concept; authenticity; performance; intention
Abstract

Flothuis, Marius: Dürfen und können wir ein unvollständig überliefertes Werk ergänzen?, in: Paul Op de Coul et al. (eds.): Fragment or completion? Proceedings of the Mahler X Symposium. Nijgh & Van Ditmar, s-'Gravenhage 1991: 17-25.
Keywords: work-concept; editing; source studies; philology; authenticity; authorship; version; intention; criticism; music

Göllner, Marie Louise: 'Composition' in the late Middle Ages and its reflection in modern editorial methods, in: Makoto Ohmiya et al. (eds.): Tradition and its future in music. Mita, Osaka 1991: 87-94.
Keywords: authenticity; music; edition; editing; criticism; variants; version; medieval; source studies
Abstract

Hammond, Frederick: The joker in the pack: On editing Andrea Gabrieli's keyboard music, in: Musica senza aggettivi: Studi per Fedele d'Amico (= Quaderni della 'Rivista italiana di musicologia' , 25). Olschki, Florence 1991: 31-46.
Keywords: edition; editing; music; renaissance; baroque; source studies; manuscript; variants; interpretation
Abstract

Hansen, Mathias: Fragment und Vollendung: Mahlers X. in der Perspektive des IX. Sinfonie, in: Paul Op de Coul et al. (eds.): Fragment or completion? Proceedings of the Mahler X Symposium. Nijgh & Van Ditmar, s-'Gravenhage 1991: 51-59 .
Keywords: editing; source studies; criticism; work-concept; philology; music

Hilmar, Ernst: Einige der Beweggründe für die 'Vollendung' Fragment gebliebener Musikwerke, in: Paul Op de Coul et al. (eds.): Fragment or completion? Proceedings of the Mahler X Symposium. Nijgh & Van Ditmar, s-'Gravenhage 1991: 26-35.
Keywords: work-concept; editing; music; criticism; philology; authenticity; authorship; source studies; version; variants; intention

Hofmann, Klaus: Herausgeber-Erfahrungen mit handschriftlichen Quellen Telemannscher Kirchenmusik: Anmerkungen zu einigen Lesartproblemen, in: Wolf Hobohm et al. (eds.): Georg Philipp Telemann: Werküberlieferung, Editions- und Interpretationsfragen. Tank, Cologne 1991: 15-20.
Keywords: manuscript; source studies; sources; music; baroque; version; variants; editing; methodology; interpretation; performance
Abstract

Konrad, Ulrich: 'Bemerkungen zu Problemen der Edition von Mozart-Skizzen', in: Die Musikforschung, 44/4 (1991): 331-45.
Keywords: editing; compositional process; creative process; source studies; music; history; editorial theory; methodology; philology; interpretation; notation
Abstract

Matthews, David: Deryck Cooke's performing version of Mahler's tenth symphony: my own involvement, some notes on the evolution of the score, and some ethical problems, in: Paul Op de Coul et al. (eds.): Fragment or completion? Proceedings of the Mahler X Symposium. Nijgh & Van Ditmar, s-'Gravenhage 1991: 60-73.
Keywords: performance; performance practice; source studies; music; version; authenticity; history; work-concept

Wiklund, Anders: Eduard Brendlers opera Ryno : källkritik, analys, edition. Ph.D., University of Gothenburg, Gothenburg 1991. http://gupea.ub.gu.se/handle/2077/14955
Keywords: criticism; edition; editing; source studies; manuscript; analysis; genre; opera; vocal music; instrumental; philology; history; music

Wray, Ronnie Everett: A survey of discrepancies among solo parts of editions and manuscripts of Carl Maria von Weber's concerto no. 1 in F minor, op. 73. DMA doc., Louisiana State University 1991.
Keywords: manuscript; print; editing; performance; music; sources; source studies; edition; version; intention; interpretation; criticism; methodology; notation; practice
Abstract

Bresch, Sigrid: Kompositorische Änderungen in der Partitur der 9. Symphonie nach den ersten Aufführungen 1824?, in: Siegfried Kross et al. (eds.): Probleme der symphonischen Tradition im 19. Jahrhundert. Schneider, Tutzing 1990: 113-143.
Keywords: editing; source studies; sources; edition; publication; version; variants; work-concept; Romanticism; music; revision; intention; authenticity
Abstract

Fischer, Johannes: Textkritik und Interpretation. II: Das Staccato in Ludwig van Beethovens Klaviersonaten, in: Gernot Gruber et al. (eds.): Musikalische Aufführungspraxis und Edition: Johann Sebastian Bach, Wolfgang Amadeus Mozart, Ludwig van Beethoven (= Schriftenreihe der Hochschule für Musik in München, 6). Bosse, Kassel 1990: 151-168.
Keywords: performance practice; notation; music; interpretation; criticism; source studies; editing; music; publication
Abstract

Gossett, Philip: Censorship and self-censorship: Problems in editing the operas of Giuseppe Verdi, in: Lewis Lockwood et al. (eds.): Essays in musicology: A tribute to Alvin Johnson. American Musicological Society, Philadelphia 1990: 247-257.
Keywords: editing; music; manuscripts; source studies; text; opera; literature; drama; theatre; compositional process; edition; Italy; romanticism; version; variants; intention; authenticity; authorship
Abstract

Kallberg, Jeffrey: 'Are variants a problem? 'Composer's intentions' in editing Chopin', in: Chopin Studies, 3 (1990): 257-67.
Keywords: editing; criticism; philology; music; methodology; work-concept; romanticism; keyboard; editorial theory; publication; publishers; version; variants; intention; compositional process; creative process; genesis; geneticism; source studies
Abstract

Scherr, Suzanne: 'Editing Puccini's operas: the case of Manon Lescaut', in: Acta musicologica, 62/1 (1990): 62-81.
Keywords: publication; publishers; printers; sources; source studies; editing; philology; music; opera; drama; version; revision; interpretation; intention; authenticity; editorial theory; methodology; performance
Abstract

Brown, Howard Mayer and Sadie, Stanley (eds.): Performance practice: music after 1600 (= The Norton/Grove handbooks in music, [2]). W. W. Norton & Company, New York & London 1989.
Keywords: performance practice; iconography; history; instruments; baroque; classical; modern; ornamentation; tuning; articulation; woodwind; brass; strings; voices; improvisation; keyboard; intention; editing; philology; work-concept

Burghauser, Jarmil: Zur Entstehung der Editionsrichtlinien für die Janácek-Gesamtausgabe, in: Dietrich Berke et al. (eds.): Festschrift Wolfgang Rehm zum 60. Geburtstag am 3. September 1989. Bärenreiter, Kassel  1989: 246-251 .
Keywords: history; edition; editing; methodology; music; principles

Kuna, Milan: Zur kritischen Edition der Korrespondenz und der Urkundendokumente von Antonín Dvorák, in: Markéta Hallová et al. (eds.): Musical dramatic works by Antonín Dvo (= Conferences on the history and theory of music at the International Music Festival Prague Spring, 4). Cesk Hudební Spolecnost, Prague 1989: 55-58 .
Keywords: editing; edition; source studies; documents; history; music; performance practice

Levasëv, Evgenij Mihajlovi: Zizn' tvorceskogo nasledija Musorgskogo i zadaci sovremennogo akademiceskogo izdanija, in: Evgenij Mihajlovi Levašev et al. (eds.): Nasledie M.P. Musorgskogo: Sbornik materialov. Muzyka, Moscow 1989: 24-62.
Keywords: editing; creative process; edition; Russia

Lorkovic, Radovan: 'Später Versuch einer Textkorrektur im Violinkonzert von Alban Berg', in: Österreichische Musikzeitschrift, 44/12 (1989): 611-19.
Keywords: notation; source studies; print; manuscript; editing; methodology; music
Abstract

Degrada, Francesco: Note filologiche in margine all'edizione critica delle cantate di Antonio Vivaldi, in: Antonio Fanna et al. (eds.): Nuovi studi vivaldiani: Edizione e cronologia critica delle opere (= Studi di musica veneta: Quaderni vivaldiani, 4). Olschki, Florence 1988: 355 -386 .
Keywords: editing; source studies; Baroque; music; philology; methodology; genre; text; criticism; interpretation; cantata

Maunder, Richard: Mozart's Requiem: on preparing a new edition. Clarendon Press, Oxford 1988.
Keywords: work-concept; music; edition; editing; history
Abstract

Schmidt, Christian Martin: 'Eine wissenschaftlich-kritische Edition? Quellen und Werkausgabe von Regers Choralphantasien', in: Reger-Studien, 3 (1988): 249-56.
Keywords: criticism; music; editing; edition; publication; source studies; sources; editorial theory; methodology
Abstract

Schubert, Giselher: 'Zur Edition der Hiller-Variationen von Max Reger', in: Reger-Studien, 3 (1988): 237-48.
Keywords: music; edition; editing; publication; criticism; sources; source studies; manuscript; genesis; version
Abstract

Wade, Rachel W.: Filiation and the editing of revised and alternate versions: Implications for the C.P.E. Bach edition, in: Stephen Lewis Clark (ed.): C.P.E. Bach studies. Clarendon Press, Oxford 1988: 277-294.
Keywords: creative process; editing; revision; version; authenticity; source studies; sources; intention; work-concept; methodology; interpretation; baroque; music
Abstract

Barfod, Esther and al., et: 'Thomas Schattenberg, en dansk komponist fra Chr. IV's tid - hans liv, hans værk og hans miljø', in: Musik & forskning, 13 (1987-88): 5-36.
Keywords: music history; biography; Renaissance; Denmark; Christian IV; source studies; documents; transcription; philology; music; analysis; vocal music; polyphony; rhetoric; editing; printers; publishers
Abstract

Albrecht, Georg Alexander: Das sinfonische Werk Hans Pfitzners: Textkritische Anmerkungen und Hinweise zur Aufführungspraxis (= Veröffentlichungen der HansPfitzner-Gesellschaft, 4). Schneider, Tutzing 1987.
Keywords: edition; editing; text; music; criticism; performance practice; notation

Beckmann, Klaus: Zur Überlieferung und Edition der Orgelwerke Buxtehudes , in: Niels Thougaard (ed.): Diderich Buxtehude (1637–1987): 350 år--Program for International Buxtehude-Festival 1987. Sct. Mariae Sogns Menighedsråd, Helsingør 1987: 44.
Keywords: source studies; editing; edition; music; baroque
Abstract

Bozarth, George Severs: Brahms's posthumous compositions and arrangements: Editorial problems and questions of authenticity, in: Michael Musgrave (ed.): Brahms. II: Biographical, documentary and analytical studies. Cambridge University Press, Cambridge 1987: 59-94.
Keywords: works; edition; sources; print; publication; manuscript; source studies; music; Romanticism; editing
Abstract

Flothuis, Marius: 'Die Neuedition von Glucks Oper Iphigénie en Aulide, oder Der Musikwissenschaftler als Detektiv', in: Österreichische Musikzeitschrift, 42/10-11 (1987): 494-97.
Keywords: source studies; editing; edition; print; sources; work-concept; methodology; music; variants; version; genesis
Abstract

Gallico, Claudio: Verso l'edizione critica di Ernani di Verdi, in: Marcello Pavarani et al. (eds.): Nuove prospettive nella ricerca verdiana. Ricordi, Milano 1987: 20-28 .
Keywords: editing; music; opera; criticism; methodology; source studies; drama; text; edition; performance

Lawton, David: Critical performers and critical editions, in: Marcello Pavarani et al. (eds.): Nuove prospettive nella ricerca verdiana. Ricordi , Milano 1987: 10-19.
Keywords: manuscript; opera; drama; authenticity; performance; interpretation; editing; edition; criticism; music
Abstract

Pospisil, Milan: 'Dvoráks Dimitrij als Editionsproblem', in: Jahrbuch für Opernforschung, 2 (1987): 87-108.
Keywords: notation; edition; editing; source studies; manuscript; music; philology; revision; version; opera; drama; text; methodology; authenticity; intention; variants; performance
Abstract

Wingfield, Paul: 'Unauthorised recomposition in Leos Janácek's music: guidelines for a new approach to a complex problem', in: Journal of musicological research, 7/2-3 (1987): 187-214.
Keywords: editing; edition; source studies; interpretation; intention; authenticity; authorship; music; manuscript; revision; methodology; criticism
Abstract

Beckmann, Klaus: 'Der authentische Text der Orgelwerke Buxtehudes: Ein Streitobjekt?', in: Musik und Gottesdienst, 40/1 (1986): 1-10.
Keywords: notation; editing; source studies; keyboard; baroque; editorial theory; music
Abstract

Massip, Catherine: Rameau et l'edition de ses oeuvres: Bref aperçu historique et méthodologique, in: Jérôme de La Gorce (ed.): Jean-Philippe Rameau. E. Champion, Paris 1986: 145-57.
Keywords: edition; editing; methodology; history; music; baroque; France; editorial theory; source studies; print; notation
Abstract

Ameln, Konrad: 'Anmerkungen zu Martin Luthers Kirchenliedern: Kritik an einer Edition', in: Jahrbuch für Volksliedforschung, 30 (1985): 13-17.
Keywords: authenticity; authorship; intention; version; editorial theory; methodology; criticism; text; music; Renaissance; source studies; philology; editing; edition
Abstract

Dadelsen, Georg von: Von den Quellen zur Neue Bach-Ausgabe: Einige Bemerkungen zur Editionspraxis, in: Ulrich Prinz et al. (eds.): 300 Jahre Johann Sebastian Bach: Sein Werk in Handschriften und Dokumenten - Musikinstrumente seiner Zeit - Seine Zeitgenossen. Schneider , Tutzing 1985: 29-50.
Keywords: source studies; sources; manuscript; Baroque; philology; methodology; music

Fischer, Kurt von: 'Editions- und Aufführungspraxis im späten 18. und frühen 19. Jahrhundert dargestellt an Mozarts Klaviervariationen', in: Schweizerische musikpädagogische Blätter, 73/1 (1985): 7-15.
Keywords: music; editing; improvisation; work-concept; source studies; edition; publication; print; authenticity; ornamentation; keyboard; variants; version; performance practice
Abstract

Magazinnik, Marina: Fortepiannaja redakcija kak problema stilja: Na materiale sonat Bethovena v redakcii Gansa Bjulova. Ph.D., Gosudarstvennaja Konservatorija imeni P.I. , Moscow 1985.
Keywords: performance; performance practice; music; history; keyboard; edition; notation
Abstract

Meredith, William Rhea: The sources for Beethovens' piano sonata in E major, opus 109. (Volumes I and II) (sketchbooks, analysis, editing, compositional process, first editions). Ph.D., The University of North Carolina at Chapel Hill, Chapel Hill 1985. http://proquest.umi.com/pqdweb?did=751825031&Fmt=2&clientId=16141&RQT=309&VName=PQD
Keywords: editing; music; source studies; compositional process; creative process; editorial theory; edition; genesis; geneticism; sources; documents; correspondence; analysis
Abstract

Miller, Norbert: Kritische und historisch-kritische Ausgaben: Notizen für ein Plädoyer , in: Wagnerliteratur - Wagnerforschung. Schott, Mainz 1985: 116-25.
Keywords: edition; editing; interpretation; criticism; music; history; performance
Abstract

Boetticher, Wolfgang: Zum Problem eines Urtextes bei Robert Schumann und Anton Bruckner, in: Christoph-Hellmut Mahling et al. (eds.): Bericht über den Internationalen Musikwissenschaftlichen Kongress Bayreuth, 1981. Bärenreiter , Kassel 1984: 404-7.
Keywords: editing; version; work-concept; urtext; source studies; manuscript; print; publication; analysis; music; Romanticism; editorial theory; interpretation; methodology
Abstract

Brodbeck, David Lee: Brahms as editor and composer: his two editions of Ländlerby Schubert and his first two cycles of waltzes, opera 39 and 52. Ph.D., University of Pennsylvania 1984.
Keywords: editing; keyboard; music; Romanticism; edition; publication; history; source studies; sources; print; transcription
Abstract

Haimo, Ethan: 'Editing Schoenberg's twelve-tone music', in: Journal of the Arnold Schoenberg Institute, 8/2 (1984): 141-57.
Keywords: editing; music; analysis; criticism; interpretation; source studies; methodology; editorial theory; edition; compositional process; creative process
Abstract

Fellinger, Imogen: Autographe, Drucke und Ausgaben , in: Christiane Jacobsen (ed.): Johannes Brahms. Leben und Werk. Breitkopf & Härtel, Wiesbaden 1983: 75-86.
Keywords: creative process; compositional process; editing; sources; source studies; music; print; variants; performance; publication; work-concept; criticism; interpretation
Abstract

Marshall, Robert L.: Editore traditore: Ein weiterer 'Fall Rust'?, in: Wolfgang Rehm (ed.): Bachiana et alia musicologica. Festschrift Alfred Dürr zum 65. Geburtstag am 3. März 1983. Bärenreiter, Kassel 1983: 183-91.
Keywords: notation; paelography; performance practice; authenticity; articulation; markings; source studies; philology; editing; music; baroque
Abstract

Noblitt, Thomas L.: Filiation vis-a-vis its alternatives: approaches to textual criticism, in: Ludwig Finscher (ed.): Datierung und Filiation von Musikhandschriften der Josquin-Zeit (= Wolfenbütteler Forschung, 26). Harrassowitz, Wiesbaden 1983: 111-27.
Keywords: vocal music; philology; editing; criticism; interpretation; source studies; renaissance; authenticity; work-concept; version; music
Abstract

Kallberg, Jeffrey: The Chopin sources: variants and versions in later manuscripts and printed editions. Ph.D., University of Chicago, Chicago 1982.
Keywords: variants; version; edition; history; publication; publishers; printers; editing; authorship; authenticity; source studies; manuscript; text; criticism; music; compositional process; creative process
Abstract

Miller, Mina: 'Some thoughts upon editing the music of Carl Nielsen ', in: Current musicology, 34 (1982): 64-74.
Keywords: editing; edition; source studies; analysis; history; music; source studies; performance; interpretation; criticism; performance practice; print
Abstract

Brosche, Günter: 'Die Wiener Fassung der Ersten Symphonie von Anton Bruckner. Zur Edition in der Gesamtausgabe ', in: Österreichische Musikzeitschrift, 36/7-8 (1981): 395-400.
Keywords: editing; authenticity; authorship; intention; version; criticism; editorial theory; methodology; music; Romanticism; edition; source studies; sources; manuscript; variants
Abstract

Halbreich, Harry: Bruckners dritte Symphonie und ihre Fassungen, in: Franz Grasberger (ed.): [Bruckner symposium] Die Fassungen. Im Rahmen des Internationalen Brucknerfestes Linz, 14.-16. Sept. 1980. Akademische Druck- und Verlagsanstalt, Graz 1981: 75-83.
Keywords: editing; methodology; version; authenticity; source studies; editorial theory; music
Abstract

Noblitt, Thomas L.: Textual criticism of selected works published by Petrucci, in: Ludwig Finscher (ed.): Quellenstudien zur Musik der Renaissance. I: Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquin Desprez. Harrassowitz, Wiesbaden 1981: 201-244.
Keywords: filiation; hierarchy; source studies; Renaissance; edition; editing; print; printers; publication; publishers; history; music
Abstract

Somfai, László: 'Manuscript versus urtext: the primary sources of Bartók's works ', in: Studia musicologica Academiae Scientiarum Hungaricae, 23 (1981): 17-66.
Keywords: editing; edition; source studies; sources; manuscript; methodology; music
Abstract

Bente, Martin (ed): Musik, Edition, Interpretation: Gedenkschrift Gunter Henle. Henle, Munich 1980.
Keywords: editing; editorial theory; methodology; philology; music; criticism; source studies; sources; documents; manuscript; performance; performance practice; notation; interpretation; history; biography; urtext; intention; authorship; authenticity; version; correspondence; variants; compositional process; creative process; art; society; culture

Brett, Philip: 'Editing Byrd', in: Musical times, 121/1650/1651 (1980): 492-95, 557-59.
Keywords: edition; editing; methodology; Renaissance; music; publication
Abstract

Miller, Mina: 'En kritisk revideret udgave af Carl Nielsens klaverværker: berettigelse, rækkevidde og mål', in: Dansk musiktidsskrift, 55/2 (1980): 55-59.
Keywords: history; music; criticism; edition; editing; notation
Abstract

Rehm, Wolfgang: Quellenforschung und Dokumentation im Verhältnis zur Editionstechnik, aufgezeigt an einem Beispiel aus der Neuen Mozart-Ausgabe, in: Martin Bente (ed.): Musik, Edition, Interpretation: Gedenkschrift Gunter Henle. Henle, Munich 1980: 410-416.
Keywords: edition; manuscript; print; source studies; version; editing; music; opera; drama; theatre
Abstract

Rönnau, Klaus: Bemerkungen zum 'Urtext' der Violinsoli J.S. Bachs, in: Martin Bente (ed.): Musik, Edition, Interpretation: Gedenkschrift Gunter Henle. Henle, Munich 1980: 417-422.
Keywords: urtext; edition; print; editing; editorial theory; methodology; filiation; hierarchy; philology; sources; source studies; text; criticism; manuscript; performance; performance practice; baroque
Abstract

Zimmermann, Ewald: Textvarianten und harmonische Ambivalenz bei Chopin, in: Martin Bente (ed.): Musik, Edition, Interpretation: Gedenkschrift Gunter Henle. Henle, Munich 1980: 463-471.
Keywords: urtext; edition; print; publication; editing; variants; version; intention; source studies; aethestics; text; criticism
Abstract

Fleming, Keith Allan: The editing of some Communion melodies in medieval chant manuscripts. Ph.D., Catholic U. of America 1979.
Keywords: medieval; music; editing; philology; editorial theory; source studies; sources; manuscript; notation; methodology; criticism; interpretation; chant; sacred music
Abstract

Mahling, Christoph-Hellmut: Bemerkungen zum 'editorischen Konzept' der Neuen Schubert-Ausgabe, in: Otto Brusatti (ed.): Schubert-Kongress Wien 1978. Bericht. Akademische Druck- und Verlagsanstalt Graz, Graz 1979: 187-89.
Keywords: performance; performance practice; notation; editing; edition; criticism; work-concept; methodology; editorial theory; music; history; authenticity; interpretation
Abstract

Nowak, Leopold: 'Die 1. und 2. Fassung von Anton Bruckners 3. Symphonie', in: Studien & Berichte: Mitteilungsblatt der Internationalen Bruckner-Gesellschaft, 15 (1979): 24-29.
Keywords: version; symphony; authenticity; revision; editing; edition; interpretation; criticism; source studies; editorial theory; history; music; methodology
Abstract

Badura-Skoda, Paul: 'Textual problems in Schubert. Discrepancies between text and intention. ', in: Piano quarterly, 27/104 (1978-79): 49 -55.
Keywords: edition; print; source studies; publication; editing; editorial theory; methodology; analysis; work-concept; authenticity; authorship; intention; music
Abstract

Avanzi, Pietro: 'Sulla realizzazione del basso continuo nell'Opera 2 di Antonio Vivaldi', in: Ricerche musicali, 2/2 (1978): 113-57.
Keywords: edition; editing; basso continuo; performance practice; interpretation; notation; baroque; instrumental; music
Abstract

Bozarth, George Severs: The Lieder of Johannes Brahms - 1868-1871: studies in chronology and compositional process. Ph.D., Princeton University, Princeton 1978.
Keywords: source studies; editing; text; sources; music; compositional process; framework; analysis; methodology; Romanticism; edition; literature; poetry
Abstract

Churgin, Bathia: 'A new edition of Beethoven's fourth symphony: editorial report', in: Israel Studies in Musicology, 1 (1978): 11-53.
Keywords: editing; source studies; sources; music; classical; work-concept; performance practice; practice; edition; manuscript; print; authenticity; editorial theory; criticism; interpretation; variants; version; notation; methodology
Abstract

Dürr, Walther: Autograph - autorisierte Abschrift - Originalausgabe. Zu Quellenlage und Quellenbewertung bei Schuberts Liedern, in: Thomas Kohlhase et al. (eds.): Festschrift Georg von Dadelsen zum 60. Geburtstag. Hänssler Verlag, Neuhausen-Stuttgart 1978: 89-100.
Keywords: source studies; sources; methodology; philology; music; editing; manuscript; print; edition; performance practice; criticism; interpretation; authenticity; authorship
Abstract

Grabs, Manfred: Hanns Eisler: Werk und Edition (= Arbeitshefte, Schriftenreihe des Prasidiums der Akademie der Kunste der DDR (Sektion Musik), 28). Henschel, Berlin 1978.
Keywords: creative process; compositional process; editing; music; notation; interpretation; edition; source studies; methodology
Abstract

Gülke, Peter: Erfahrungen und Uberlegungen bei der Arbeit an einer Neuausgabe der 5. Sinfonie, in: Harry Goldschmidt et al. (eds.): Bericht uber den Internationalen Beethoven-Kongress 20. bis 23. März 1977 in Berlin. Deutscher Verlag für Musik, Leipzig 1978: 231-36.
Keywords: editing; edition; music; source studies; sources; manuscript; urtext; publication; performance; geneticism; variants; criticism; interpretation; methodology; editorial theory
Abstract

Tischler, Hans: 'On transcribing the Magnus Liber', in: Revue belge de musicologie, 32-33 (1978): 9-22.
Keywords: medieval; Middle Ages; manuscript; source studies; edition; editing; notation; interpretation; editorial theory; transcription; music
Abstract

Badura-Skoda, Paul: 'Textprobleme in Beethovens Hammerklaviersonate op. 106', in: Melos: Neue Zeitschrift für Musik, 3/1 (1977): 11-15.
Keywords: edition; print; source studies; variants; version; music; editing; methodology; editorial theory; authenticity; authorship; intention; history
Abstract

Filler, Susan Melanie: Editorial problems in symphonies of Gustav Mahler: a study of the sources of the third and tenth symphonies. Ph.D., Northwestern University 1977.
Keywords: edition; editing; manuscript; print; publication; compositional process; creative process; interpretation; criticism; music; source studies; sources; manuscript; society; sociology; work-concept; revision; editorial theory; methodology
Abstract

Goldhammer, Otto: Genügen Faksimile-Drucke und Urtext-Ausgaben zur fehlerfreien Darstellung der kompositorisch-musikalischen Intentionen Johann Sebastian Bachs? , in: Werner Felix et al. (eds.): Bericht uber die Wissenschaftliche Konferenz zum III. Internationalen Bach-Fest der DDR, Leipzig 18./19. September 1975. Deutscher Verlag für Musik, Leipzig 1977: 327-43.
Keywords: keyboard; performance; performance practice; source studies; manuscript; editing; music; edition
Abstract

Dadelsen, Georg von: Uber den Wert musikalischer Textkritik, in: Quellenstudien zur Musik. Wolfgang Schmieder zum 70. Geburtstag. C.F. Peters, Frankfurt am Main 1975: 41-45.
Keywords: criticism; music; editing
Abstract

Borroff, Edith: A new notation: Soliloquies for violin and piano (1971) by Paul Cooper, in: Edith Borroff (ed.): Notations and editions: A book in honor of Louise Cuyler. Brown, Dubuque, IA 1974: 191-204.
Keywords: manuscript; source studies; notation; editing; music
Abstract

Clark, J. Bunker: Some problems of transcribing music with many sources: the verse anthem O praise God in His holiness by Edward Smith, in: Edith Borroff (ed.): Notations and editions: A book in honor of Louise Cuyler. Brown, Dubuque, IA 1974: 69-105.
Keywords: editing; notation; transcription; interpretation; criticism; music; baroque; source studies; methodology; editorial theory; authorship; authenticity; intention; variants; version; manuscript; print; publication; sacred music
Abstract

Cohen, Albert: A study of notational and performance problems of an early air de cour: Je voudrois bien, o Cloris (1629) by Antoine Boësset (c. 1586-1643), in: Edith Borroff (ed.): Notations and editions: A book in honor of Louise Cuyler. Brown, Dubuque, IA 1974: 55-68.
Keywords: notation; editing; edition; basso continuo; performance; ornamentation; song; vocal music; source studies; music
Abstract

Gossett, Philip, Zedda, Alberto and Cagli, Bruno: 'Criteri per l'edizione critica di tutte le opere di Gioacchino Rossini', in: Bollettino del Centro Rossiniano di Studi, 1 (1974): 1-61.
Keywords: edition; editing; music; publication; publishers; source studies; sources; manuscript; version; notation; performance practice; performance; opera; drama; text; criticism; methodology
Abstract

Harris, Charles David: Problems in editing harpsichord music: Suite in D by Ferdinand Tobias Richter (1649-1711), in: Edith Borroff (ed.): Notations and editions: A book in honor of Louise Cuyler. Brown, Dubuque, IA 1974: 142-153 .
Keywords: edition; editing; notation; source studies; baroque; keyboard; methodology; music
Abstract

Hitchcock, H. Wiley: Some aspects of notation in an Alma redemptoris mater (c. 1670) by Marc-Antoine Charpentier (d. 1704), in: Edith Borroff (ed.): Notations and editions: A book in honor of Louise Cuyler. Brown, Dubuque, IA 1974: 127-141.
Keywords: edition; editing; criticism; performance; practice; music; editorial theory; methodology; basso continuo
Abstract

McPeek, Gwynn Spencer: Medieval monophonic song: Kalenda maia by Raimbault de Vaqueiras (c. 1155-1205), in: Edith Borroff (ed.): Notations and editions: A book in honor of Louise Cuyler. Brown, Dubuque, IA 1974: 1-7 .
Keywords: notation; editing; edition; performance; performance practice; manuscript; source studies; sources; Middle Ages; medieval; song; vocal music; monophony; accidentals; rhythm; editorial theory; methodology; music
Abstract

Reese, Gustave: Problems in editing the music of Josquin des Prez: a critique of the first edition and proposals for the second edition, in: Edith Borroff (ed.): Notations and editions: A book in honor of Louise Cuyler. Brown, Dubuque, IA 1974: 33-42.
Keywords: edition; editing; notation; interpretation; Renaissance; sacred music; music
Abstract

Reilly, Edward R.: A realization by J.C. Heck: an Affettuoso di molto by Johann Joachim Quantz (1697-1773), in: Edith Borroff (ed.): Notations and editions: A book in honor of Louise Cuyler. Brown, Dubuque, IA 1974: 154-162 .
Keywords: basso continuo; interpretation; edition; editing; notation; performance practice; history; baroque; music
Abstract

Tischler, Hans: A comparison of two manuscripts: Fole acoustumance (c. 1250), in: Edith Borroff (ed.): Notations and editions: A book in honor of Louise Cuyler. Brown , Dubuque, IA 1974: 8-16.
Keywords: manuscript; source studies; paleography; edition; editing; medieval; Middle Ages; notation; music; variants; transcription; editorial theory; methodology; philology; interpretation; version
Abstract

Warburton, Thomas: A German organ tablature: Dies est laetitiae (c. 1500), in: Edith Borroff (ed.): Notations and editions: A book in honor of Louise Cuyler. Brown, Dubuque (IA) 1974: 43-47 .
Keywords: edition; editing; notation; tablature; instrumental; keyboard; music
Abstract

Kojima, Shin Augustinus: 'Probleme im Notentext der Pastoralsymphonie Op. 68 von Beethoven', in: Beethoven Jahrbuch, 9 (1973-77): 217-61.
Keywords: editing; manuscript; source studies; edition; variants; methodology; history; music; performance; publishers; print
Abstract

Cone, Edward T.: 'Editorial responsibility and Schoenberg's troublesome "misprints"', in: Perspectives of New Music, 11/1 (1972): 65-75.
Keywords: editing; music; keyboard; edition; publication; variants; methodology; editorial theory; source studies; notation
Abstract

Hitchcock, H. Wiley: 'Problèmes d'edition de la musique de Marc-Antoine Charpentier pur Le malade imaginaire', in: Revue de musicologie, 58/1 (1972): 3-15.
Keywords: drama; opera; play; text; music; criticism; interpretation; theatre; stage; edition; editing; methodology; editorial theory; source studies; manuscript; version; work-concept; baroque
Abstract

Chylinska, Teresa: 'Metodologiczne zalozenia wydan zródlowych dziol Szymanowskiego, Wieniawskiego i Moniuszki', in: Muzyka, 15/4 (1971): 114-17.
Keywords: editing; music; methodology; editorial theory; source studies; manuscript; authenticity; editing; notation; intention
Abstract

Czesla, Werner: Skizzen als Instrument der Quellenkritik, in: Carl Dahlhaus et al. (eds.): Bericht uber den internationalen musikwissenschaftlichen Kongress Bonn 1970. Bärenreiter, Kassel 1971: 101-104.
Keywords: editing; manuscript; print; edition; music; Romanticism; source studies; sources; authenticity; methodology
Abstract

Schlötterer, Reinhold: Edition byzantinischer Musik, in: Thrasybulos G. Georgiades (ed.): Musikalische Edition im Wandel des historischen Bewusstseins (= Musikwissenschaftliche Arbeiten, 23). Bärenreiter, Kassel 1971: 28-49 .
Keywords: history; music; notation; edition; editing; philology; manuscript; vocal music
Abstract

Unverricht, Hubert (ed): Die Eigenschriften und die Originalausgaben von Werken Beethovens in ihrer Bedeutung für die moderne Textkritik. Kassel 1960.
Keywords: music; text; criticism; philology; source studies; edition; manuscripts

Jeppesen, Knud (ed): Indledning til Mogens Pedersøns Pratum spirituale (= Dania sonans, 1). Copenhagen 1933.
Keywords: music history; biography; music; sacred; church; Denmark; Christian IV; transcription; editing; source studies; sources; bibliography; vocal music; polyphony

D. Music Engraving and Notation

Foltmann, Niels Bo: '[review of:] Elaine Gould, Behind Bars. The Definitive Guide to Music Notation', in: Danish Yearbook for Musicology, 39 (2012): 105-108.
Keywords: notation; engraving; publishing

Troelsgård, Christian: Byzantine neumes: a new introduction to the Middle Byzantine musical notation. Museum Tusculanum, Copenhagen 2012.
Keywords: paleography; notation; Medieval; manuscript; philology; source studies; transcription; music

Gould, Elaine: Behind bars: the definitive guide to music notation. Faber Music Ltd., London 2011.
Keywords: editing; notation; music; practice; publishing; history; manual
Abstract

Johnson, Mark: Finale power!. Muska & Lipman, 000 2002.
Keywords: music; notation; computer; practice

Powell, Steve: Music engraving today. Brichtmark, New York 2002.
Keywords: engraving; music; notation; practice

Gieseking, Martin: Zur Geschichte des Notendrucks – Ein Überblick: Festschrift für Brunhilde Sonntag, in: Bernhard Müßgens et al. (eds.): Musik im Spektrum von Kultur und Gesellschaft (= Osnabrücker Beiträge zur Musik und Musikerziehung, 1). Electronic Publishing Osnabrück, Osnabrück 2001: 339-353.
Keywords: notation; music; engraving; history

Purse, Bill: The Finale primer: mastering the art of music notation with Finale. Miller Freeman Books, San Francisco 2001.
Keywords: notation; music; computer; practice

Rudolph, Thomas E. and Leonard, Vincent A. Jr.: Finale - an easy guide to music notation. Berklee Music Press, Berklee 2001.
Keywords: notation; computer; music; manual

Gamble, William: music engraving and printing: historical and technical treatise. Ayer Company Publishers, North Stratford 2000.
Keywords: notation; engraving; music; print; publishing; practice; history

Read, Gardner: Pictographic score notation. Greenwood Press, Westport 1998. http://books.google.dk/books?id=pEf-Fza26RIC&printsec=frontcover&dq=read+gardner+pictographic&source=bl&ots=hmwETAglqh&sig=HQvuEnn1FEauE-UB7bDyPivKLT4&hl=da&ei=6vYNTOuJBs6bOJaO2JEN&sa=X&oi=book_result&ct=result&resnum=3&ved=0CCEQ6AEwAg#v=onepage&q&f=false
Keywords: notation; music; practice; manual
Abstract

Gerou, Tom and Lusk, Linda: Essential dictionary of music notation. Ayer Company Publishers, North Stratford 1996.
Keywords: notation; paleography; music; engraving; practice; print; publishing
Abstract

Read, Gardner: Music notation. Tablinger Publishing, New York 1995.
Keywords: notation; manual; music; engraving; practice; history
Abstract

Tyboni, Börje: Noter: handbok i traditionell notering. Gehrmans Musikförlag, Stockholm 1994.
Keywords: notation; music; engraving; manual; practice

Read, Gardner: Compendium of modern instrumental techiques. Greenwood Press, Westport 1993.
Keywords: notation; music; engraving; manual; print; publishing
Abstract

McGrain, Mark: Music notation (theory and technique for music notation). Berklee Musik Press, Berklee 1991.
Keywords: notation; music; engraving

Read, Gardner: 20th-century microtonal notation. Greenwood Press, Westport 1990.
Keywords: notation; music; engraving; manual; practice
Abstract

Chlapik, Herbert: Die Praxis des Notengraphikers - Wie entstehen unsere Noten?. Doblinger, Vienna 1987.
Keywords: notation; music; engraving; manual; practice; print; publishing
Abstract

Heussenstam, George: The Norton manual of music notation. W.W. Norton, New York 1987.
Keywords: manual; notation; engraving; music; print; publishing; paleography

Read, Gardner: Source book of proposed music notation reforms. Greenwood Press, Westport 1987.
Keywords: notation; music; engraving; practice; history; manual
Abstract

Ross, Ted: The art of music engraving and processing. Hansen Books, Miami 1987.
Keywords: music; notation; engraving; practice; manual; publishing; print

Vinci, Albert C.: Fundamentals of traditional musical notation. Kent State University Press, Kent 1985.
Keywords: notation; engraving; music; manual; practice

Stone, Kurt: Music notation in he twentieth century (a practical guidebook). W.W. Norton, New York 1980.
Keywords: notation; music; manual; practice
Abstract

Jacob, Archibald: Musical handwriting: or, how to put music on paper: a handbook for all musicians, professional and amateur. Da Capo,  1979.
Keywords: notation; practice; manual; engraving; music

Roemer, Clinton: The art of music copying: the preparation of music for performance. Roerick Music Co., Sherman Oaks, CA 1973.
Keywords: notation; music; practice; engraving; publishing; print

Apel, Willi: The notation of polyphonic music, 900-1600, 5th edition, revised and with commentary. (= Publications of the Mediaeval Academy of America, 38). Mediaeval Academy of America., Cambridge, Mass. 1961.
Keywords: notation; music; history; paleography; manuscript; transcription; interpretation; medieval; source studies

Gehrkens, Karl Wilson: Music notation and terminology. The A.S. Barnes Co, New York 1914. http://www.gutenberg.org/catalog/world/readfile?fk_files=259421;
Keywords: notation; practice; music

E. Miscellaneous

Wiering, Frans , Crawford, Tim and Lewis, David: Creating an XML vocabulary for encoding lute music.  n.d.. http://www2.lib.virginia.edu/innovation/mei/Papers/WieringCrawfordLewisTabXML-AHC.pdf
Keywords: music; media; editing; transcription; renaissance; media; computer; sources
Abstract

Hochradner, Thomas and Reinhardt, Dominik (eds.): Inventar und Verzeichnis. Ordnung und Zählung als Faktoren der Rezeptionsgeschichte (= Klag-reden. Schriften zur Musikalischen Rezeptions- und Interpretationsgeschichte). Freiburg i. Bresgau, Berlin, Vienna 2011.
Keywords: bibliography; music; source studies; work-concept

Hohmaier, Simone and Albrecht-Hohmaier, Martin: 'Terminologische, technische und archivarische Probleme künftiger Musikphilologie: Ergebnisse einer Datenerhebung', in: Editio: Internationales Jahrbuch für Editionswissenschaft, 24 (2010): 53-63.
Keywords: philology; source studies; computer; compositional process
Abstract

Raab, Armin: Eine "Haydn-Arbeit" mit Haydns Werken: Zur Haydn-Ûberlieferung und vom Nutzen der Philologie, in: Phänomen Haydn 1732-1$809: Prachtliebend–bürgerlich–gottbefohlen–crossover. Vienna 2009.
Keywords: source studies; manuscript
Abstract

Lewis, Susan G.: Editing Italian music for Lutheran Germany, in: Orthodoxies and diversities in early modern Germany-speaking lands. Brill Press, Leyden 2008: 117-37.
Keywords: Germany; Renaissance; baroque; language; music; church; secular; sacred; protestantism; Luther; Italy; madrigal; vocal music; printers; editing; religion; repertoire

Verbeke, Demmy: 'The need for Latin textual scholarship in Renaissance musicology', in: Music and Letters, 90/2 (2008): 205-214.
Keywords: latin; language; translation; text; criticism; philology; source studies; documents; music; Renaissance; history
Abstract

Bernstein, Jane A.: 'Publish or perish? Palstrina and print culture in 16th-century Italy', in: Early Music, 35/2 (2007): 225-35.
Keywords: printers; editing; book; history; publishers; Italy; Renaissance; music
Abstract

Grindley, Neil: 'Annotation and representation tools (music). ', in: http://www.arts-humanities.net/ (2007).
Keywords: computer; media; editing; music

Hammond, Susan Lewis: Editing music in early modern Germany. Ashgate, Farnham 2007.
Keywords: music history; Renaissance; baroque; Germany; repertoire; music; madrigal; vocal music; editing; publishers; bibliography; transcription; book; history; Denmark
Abstract

Roland, Perry and Downie, J. Stephen: Recent developments in the music encoding initiative project: enhancing digital musicology and scholarship. . Paper presented at Digital Humanities Conference. , University of Illinois, Urbana, Illinois 2007. http://www2.lib.virginia.edu/innovation/mei/Papers/RolandDownie2007poster.pdf
Keywords: computer; media; music; editing
Abstract

Adams, David (ed): Print and power in France and England, 1500-1800. Ashgate, Aldershot 2006.
Keywords: literature; printing; criticism; history; Renaissance; baroque; France; England; propaganda; media; politics
Abstract

Katz, Mark: 'Portamento and the phonograph effect', in: Journal of Musicological Research, 25 (2006): 211-32.
Keywords: performance practice; violin; strings; history; nineteenth century; criticism; editing; style; education; teaching; romanticism; modern; 20th century; notation
Abstract

Kepper, Johannes: Codierungsformen von Musik. Digitale Medien und Musikedition, Kolloquium des Ausschusses für musikwissenschaftliche Editionen der Union der deutschen Akademien der Wissenschaften. Akademie der Wissenschaften, Mainz 2006. http://www.adwmainz.de/fileadmin/adwmainz/MuKo_Veranstaltungen/S2-Digitale_Medien/kepper.pdf
Keywords: computer; media; editing; music
Abstract

Leech-Wilkinson, Daniel: 'Portamento and musical meaning', in: Journal of Musicological Research, 25 (2006): 233-61.
Keywords: performance practice; violin; strings; history; nineteenth century; criticism; editing; style; education; teaching; romanticism; modern; 20th century; notation; work-concept; interpretation; music
Abstract

Lott, Marie Sumner: '"Iron hand with a velvet glove?" string quartet performance in the late-nineteenth and early-twentieth centuries', in: Journal of Musicological Research, 25 (2006): 263-89.
Keywords: performance practice; violin; strings; history; nineteenth century; criticism; editing; style; education; teaching; romanticism; modern; 20th century; notation; interpretation; ornamentation
Abstract

Baggi, D.L: 'An IEEE Standard for Symbolic Music', in: Computer, 38/11 (2005): 100-102. http://www2.lib.virginia.edu/innovation/mei/Papers/Baggi.pdf
Keywords: computer; media; music
Abstract

Boorman, Stanley: Studies in the printing, publishing and performance of music in the sixteenth century (= Variorum collected studies and reference series). Ashgate Publishing, Aldershot 2005.
Keywords: printers; publishers; music; music history; performance; performance practice; philology; documents; criticism; editing; manuscripts; liturgy; church; notation; chromaticism; musica ficta; accidentals; cadence; polyphony; vocal music; Renaissance; Italy

Reenen, Pieter Th. Van, Hollander, A.A. Den and Mulken, Margot Van (eds.): Studies in stemmatology II. John Benjamins Publishing, Amsterdam 2004.
Keywords: source studies; sources; theory; methodology; philology; documents; history
Abstract

Rink, John (ed.): Online Chopin Variorum Edition (OCVE). Final report for the Andrew W. Mellon Foundation . Royal Holloway, London 2004. http://www2.lib.virginia.edu/innovation/mei/Papers/OCVEfinal-report.pdf
Keywords: publication; media; computer; music; editing; philology; methodology; notation

Calabresi, Bianca Finzi-Contini: Gross characters: the unseemly typograhpies of early modern drama. Ph.D., Columbia University 2003.
Keywords: printers; publishers; editing; philology; text; criticism; printing; edition; England; drama; Elizabeth I; James I; Renaissance; William Shakespeare; source studies; documents; theatre; literature; paleography; plays; trade; book; Denmark; publication
Abstract

Messina, Kitti: 'Un compositore danese e il madrigale italiano: Mogens Pedersøn e la sua produzione vocale profana', in: Philomusica on line, 2 (2003).
Keywords: Denmark; Renaissance; music history; biography; genre; madrigal; vocal music; polyphony; secular; prima prattica; seconda prattica; Italy; Christian IV; instrumental; manuscripts; source studies; philology; criticism; editing; literature; poetry
Abstract

Milsom, David: Theory and practice in late nineteenth-century violin performance: an examination of style in performance, 1850-1900. Ashgate, Aldershot 2003.
Keywords: performance practice; violin; romanticism; style; performance; musicians; education; composers; nineteenth century; interpretation; tempo; vibrato; strings; orchestra; 20th century; rubato; source studies; treatises; editing
Abstract

Roland, Perry: Design patterns in XML music representation. Paper presented at International Symposium on Music Information Retrieval 2003, John Hopkins University, Baltimore, Maryland 2003. http://www2.lib.virginia.edu/innovation/mei/Papers/musicnetwork.pdf
Keywords: notation; music; computer; media
Abstract

Roland, Perry: Modular design of the music encoding initiative (MEI) DTD. Paper presented at MusicNetwork Notation Workshop: XML-based Music Notation Solutions. , University of Leeds 2003. http://music-encoding.org/about/publications
Keywords: notation; computer; media; music

Schwartz, Baron: Transforming XML into music notation. Bsc, University of Virginia 2003. http://www2.lib.virginia.edu/innovation/mei/Papers/Schwartz-technicalreport.pdf
Keywords: computer; media; music; notation
Abstract

Smith, Jeremy L.: Thomas East and music publishing in renaissance England. Oxford university Press, Oxford 2003.
Keywords: printing; editing; paleography; paper; history; England; Elizabeth I; James I; bibliography; printers; publishers; music; edition; book; philology
Abstract

Carter, Joanna L.: A study of two seventeenth-century teaching manuals in Hamburg: critical editions and translations of Thomas Selle's Kurtze doch gründlich Anleitung zur Singekunst (c. 1642) and Heinrich Grimm's Instrumentum Instrumentorum, hoc est, Monochordum (1634). Ph.D., Florida State University 2002.
Keywords: transcription; translation; music theory; documents; source studies; edition; treatises; Germany; schools; manual; Renaissance; baroque; biography; Seth Calvisius; solmisation; philology; criticism; music
Abstract

Musgrave, Michael and Sherman, Bernard D. (eds.): Performing Brahms: early evidence of performance style (= Musical performance and reception). Cambridge University Press, Cambridge 2002.
Keywords: interpretation; criticism; performance; performance practice; romanticism; classical; music history; musicians; editing; philology; work-concept

Roland, Perry: The Music Encoding Initiative (MEI). Paper presented at Musical Applications using XML (MAX) Conference 2002, Milan 2002. http://www2.lib.virginia.edu/innovation/mei/Papers/maxpaper.pdf
Keywords: notation; computer; media; music
Abstract

Tanselle, Thomas G.: 'Thoughts on the authenticity of electronic texts', in: Studies in Bibliography, 54 (2001): 133-36. http://etext.virginia.edu/etcbin/toccer-sb?id=sibv054&images=bsuva/sb/images&data=/texts/english/bibliog/SB&tag=public&part=4&division=div
Keywords: authorship; authenticity; composer; electronic; media; editing; criticism; theory; source studies; methodology; printing; publication; publishers; text

Roland, Perry: XML4MIR: extensible markup language for music information retrieval. Paper presented at International Symposium on Music Information Retrieval 2000, Plymouth, Massachusetts 2000. http://ciir.cs.umass.edu/music2000/papers/roland_paper.pdf
Keywords: notation; music; media; computer
Abstract

Bland, Mark: The London book-trade in 1600, in: David Scott Kastan (ed.): A companion to Shakespeare. Blackwell, London 1999: 450-63.
Keywords: book; trade; publishers; printers; printing; London; Renaissance; Elizabeth I; England; history; text; criticism; bibliography

Olden-Jørgensen, Sebastian: 'Det genfundne originalmanuskript til Peder Vinstrups kroningstale 1596', in: Danske Magazin, 9rk., I, 2. hæfte (1999): 245-70.
Keywords: Christian IV; Denmark; Renaissance; history; accession; description; source studies; documents; editing

Shillingsburg, Peter L.: Negotiating conflicting aims in scholarly editing: the problem of editorial intentions, in: Christa Jansohn (ed.): Problems of editing (= Beiheft zur Editio). De Gruyter,  1999: 1-8.
Keywords: editing; text; criticism; intention; methodology

Steinecke, Harmut, Scher, Steven Paul, Kohlhase, Thomas and Allroggen, Gerhard: Der Dichter und der Komponist: Undine von Fouqué und Hoffmann, in: Walther Dürr et al. (eds.): Der Text im musikalischen Werk: Editionsprobleme aus musikwissenschaftlicher und literaturwissenschaftlicher Sicht (= Beihefte zur Zeitschrift für deutsche Philologie). Eric Schmidt Verlag, Berlin 1998: 235-260.
Keywords: editing; text; literature; history; biography; Germany; opera; drama; methodology; criticism; music; interpretation; authorship; source studies; romanticism; aesthetics
Abstract

Milsom, John: 'Tallis, Byrd and the 'incorrected copy': some cautionary notes for editors of early music printed from movable type', in: Music and Letters, 77 (1996): 348-65.
Keywords: publishers; printers; printing; England; Elizabeth I; Renaissance; editing; source studies; philology; edition
Abstract

Miserandino-Gaherty, Cathryn J.: The rastrology and codicology of English music manuscripts c. 1575-c. 1642. Ph.D., Oxford University, Oxford 1996.
Keywords: paleography; source studies; documents; codicology; editing; philology; description; analysis; history; England; Elizabeth I; James I; Renaissance; baroque; music
Abstract

Ross, Charles L. and Jackson, Dennis (eds.): Editing D. H. Lawrence: New Versions of a Modern Author. University of Michigan, Ann Arbor 1995.
Keywords: editing; text; criticism; literature; textual theory; methodology; theory; publishing; work-concept
Abstract

Wegman, Rob C.: ''Miserere supplicanti Dufay': the creation and transmission of Guillaume Dufay's 'Ave regina caelorum'', in: Journal of Musicology, 13 (1995): 18-54.
Keywords: work-concept; source studies; music; philology; Renaissance
Abstract

Steenbakkers, Piet: Accent-marks in Neo-Latin, in: Ann Moss et al. (eds.): Acta conventus neo-latini Hafniensis: Proceedings of the eighth international congress of Neo-Latin studies: Copenhagen 12 August to 17 August 1991 (= Medieval & Renaissance Texts & Studies, 120). Bingham, New York 1994: 925-34.
Keywords: language; translation; interpretation; Renaissance; baroque; philology; transcription; Latin; bibliography; editing

Krausz, Michael: Rightness and reasons in musical interpretation, in: Michael Krausz (ed.): The interpretation of music. Clarendon Press, Oxford 1993: 75-87.
Keywords: interpretation; performance; work-concept; music; philosophy; editing
Abstract

Kraut, Robert: Perceiving the music correctly, in: Michael Krausz (ed.): The interpretation of music. Clarendon Press, Oxford 1993: 103-116.
Keywords: work-concept; music; interpretation; performance; philosophy; editing
Abstract

Levinson, Jerrold: Performative vs. critical interpretation in music, in: Michael Krausz (ed.): The interpretation of music. Clarendon Press, Oxford 1993: 33-60.
Keywords: work-concept; philosophy; music; performance; interpretation; criticism
Abstract

Treitler, Leo: 'History and the ontology of the musical work', in: Journal of Aesthetics and Art Criticism, 51 (1993): 483-97.
Keywords: work-concept; ontology; criticism; art; philosophy
Abstract

Philip, Robert: Early recordings and musical style: changing tastes in instrumental performance. Cambridge University Press, Cambridge 1992.
Keywords: interpretation; performance; history; style; performance practice; education; work-concept; tempo; vibrato; strings; woodwind; orchestra; 20th century; romanticism; rubato; source studies; editing
Abstract

Boorman, Stanley: False relations and the cadence, in: Richard Charteris (ed.): Essays on Italian music in the cinquecento. Frederik May Foundation for Italian Studies, Sidney 1990: 221-64.
Keywords: theory; practice; music; cadence; chromaticism; counterpoint; musica ficta; editing; Italy; Renaissance

Goehr, Lydia: 'Being true to the work', in: The Journal of Aesthetics, 47 (1989): 55-67.
Keywords: work-concept; criticism; history; philosophy; romanticism; music; art; culture; society; baroque; philosophy; performance

Huot, Sylvia: 'Voices and instruments in medieval French secular music: on the use o literary texts as evidence for performance practice', in: Musica disciplina, 43 (1989): 63-113.
Keywords: performance practice; medieval; source studies; philology; text; music
Abstract

Stowell, Robin: Strings [General introduction to strings], in: Howard Mayer Brown et al. (eds.): Performance practice. Music after 1600. Macmillan Press, New York & London 1989: 394-408.
Keywords: performance practice; strings; history; romanticism; modern; 20th century; education; notation

Seidel, Wilhelm: Werk und Werkbegriff in der Musikgeschichte 1987.
Keywords: work-concept
Abstract

Katz, Ruth: Divining the powers of music: aesthetic theory and the originas of opera. Pendragon Press, New York 1986.
Keywords: opera; literature; drama; poetry; aesthetics; philosophy; magic; occult; allegory; humanism; Orpheus; enthusiasm; frenzy; rhetoric; prima prattica; seconda prattica; criticism; neoplatonism
Abstract

Williman, D.: Translating medieval Latin, in: M. Gaddis Rose (ed.): Translation perspective: selected papers, 1982-83. Binghamton 1984: 57-62.
Keywords: transcription; translation; medieval; Latin; philology; source studies; editing; text; language

Krummel, D. W.: English music printing 1553-1700. London 1975.
Keywords: printing; publishers; philology; bibliography; description; music history; England; Elizabeth I; James I
Abstract

Davidsson, Åke: 'Korrektur till ett danskt musiktryck år 1620', in: Nordisk tidskrift för bok- och biblioteksväsen, 53 (1966): 97-103.
Keywords: printers; publishers; proofs; editing; publication; history; Denmark; book history; music

Anscombe, G. E. M.: Intention (= Library of philosophy and logic). Blackwell, Oxford 1963.
Keywords: philosophy; intention; authentic; work-concept; text; criticism; interpretation; aesthetics; modern

Braun, Werner: 'Samuel Scheidts Bearbeitungen alter Motetten', in: Archiv für Musikwissenschaft, 19-20 (1962-63): 56-74.
Keywords: editing; renaissance; history; edition; transmission; church; vocal music; polyphony; sacred

Rothschild, Fritz: Musical performance in the times of Mozart and Beethoven: the lost tradition in music part II. Adam and Charles Black, London 1961.
Keywords: performance practice; organology; orchestra; romanticism; history; music